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There are 11904 results for: content related to: The New in the Arts

  1. MELIES' ‘FANTASTIC’ CINEMA AND THE ORIGINS OF CUBISM

    Art History

    Volume 12, Issue 2, June 1989, Pages: 202–232, Natasha Staller

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1989.tb00350.x

  2. CUBISM 1910–12: THE LIMITS OF DISCOURSE

    Art History

    Volume 8, Issue 4, December 1985, Pages: 467–483, Roger D. Cranshaw

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1985.tb00185.x

  3. The Formation of the Avant-Garde in Paris and London, c. 1880–1915

    Art History

    Volume 35, Issue 3, June 2012, Pages: 596–621, David Cottington

    Article first published online : 4 APR 2012, DOI: 10.1111/j.1467-8365.2012.00899.x

  4. THE NATURE OF CUBISM: A study of conflicting explanations

    Art History

    Volume 3, Issue 4, December 1980, Pages: 435–447, J. M. Nash

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1980.tb00088.x

  5. Reviews

    The Art Book

    Volume 10, Issue 3, June 2003, Pages: 27–56,

    Article first published online : 22 DEC 2003, DOI: 10.1111/1467-8357.00345

  6. Modernity: Approaching the Twentieth Century

    A Companion to Europe 1900-1945

    Gordon Martel, Pages: 150–164, 2007

    Published Online : 26 NOV 2007, DOI: 10.1002/9780470996850.ch10

  7. THE AVANT-GARDE, ORDER AND THE ART MARKET, 1916–23

    Art History

    Volume 2, Issue 1, March 1979, Pages: 95–106, Malcolm Gee

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1979.tb00037.x

  8. T. J. Clark's Picasso

    Art History

    Volume 37, Issue 5, November 2014, Pages: 978–981, Christopher Green

    Article first published online : 15 OCT 2014, DOI: 10.1111/1467-8365.12119

  9. ‘PROUDLY WE CLAIM HIM AS ONE OF US‘: BRETON, PICASSO, AND THE SURREALIST MOVEMENT

    Art History

    Volume 8, Issue 1, March 1985, Pages: 82–104, Elizabeth Cowling

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1985.tb00151.x

  10. Learning to be Modern in 1913

    1913: The Cradle of Modernism

    Jean-Michel Rabaté, Pages: 96–117, 2008

    Published Online : 3 MAR 2008, DOI: 10.1002/9780470692202.ch4

  11. PROUST AS A CUBIST

    Art History

    Volume 2, Issue 3, September 1979, Pages: 355–363, Claude Gandelman

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1979.tb00051.x

  12. PURITY, POETRY AND THE PAINTING OF JUAN GRIS

    Art History

    Volume 5, Issue 2, June 1982, Pages: 180–204, Christopher Green

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1982.tb00758.x

  13. Alternative Sources forArturo: Revista de Artes Abstractas

    The Latin Americanist

    Volume 53, Issue 1, March 2009, Pages: 3–26, Ana Pozzi-Harris

    Article first published online : 13 MAR 2009, DOI: 10.1111/j.1557-203X.2009.01015.x

  14. Hands on the Table: Ernst Ludwig Kirchner and the Expressionist Still Life

    Art History

    Volume 37, Issue 1, February 2014, Pages: 96–125, William Sherwin Simmons

    Article first published online : 13 JAN 2014, DOI: 10.1111/1467-8365.12063

  15. Who art thou? Personality predictors of artistic preferences in a large UK sample: The importance of openness

    British Journal of Psychology

    Volume 100, Issue 3, August 2009, Pages: 501–516, Tomas Chamorro-Premuzic, Stian Reimers, Anne Hsu and Gorkan Ahmetoglu

    Article first published online : 1 FEB 2011, DOI: 10.1348/000712608X366867

  16. The Art of Swinging Left in the 1930s: Modernism, Realism, and the Politics of the Left in the Murals of Stuart Davis

    Art History

    Volume 33, Issue 1, February 2010, Pages: 98–123, Jody Patterson

    Article first published online : 25 JAN 2010, DOI: 10.1111/j.1467-8365.2009.00718.x

  17. Cubism – Time Will Tell?

    The Art Book

    Volume 10, Issue 2, March 2003, Pages: 7–9, Norbert Lynton

    Article first published online : 22 DEC 2003, DOI: 10.1111/1467-8357.00323

  18. ‘With an almost pathetic fatality doing what is right’: Late Sickert and his Critics

    Art History

    Volume 37, Issue 1, February 2014, Pages: 126–147, Sam Rose

    Article first published online : 23 OCT 2013, DOI: 10.1111/1467-8365.12059

  19. UNITED ON THE THRESHOLD OF THE TWENTIETH-CENTURY MYSTICAL IDEAL: MARIE LAURENCIN'S INTEGRAL INVOLVEMENT WITH GUILLAUME APOLLINAIRE AND THE INMATES OF THE BATEAU LAVOIR

    Art History

    Volume 11, Issue 1, March 1988, Pages: 88–114, Julia Fagan-King

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1988.tb00283.x

  20. ‘DE VONK’, NOORDWIJK: An example of early De Stijl co-operation

    Art History

    Volume 3, Issue 2, June 1980, Pages: 202–217, Jane Beckett

    Article first published online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1980.tb00074.x