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  1. The ‘Effeminate’ Buddha, the Yogic Male Body, and the Ecologies of Art History in Colonial India

    Art History

    Volume 38, Issue 5, November 2015, Pages: 916–939, Sugata Ray

    Version of Record online : 8 SEP 2015, DOI: 10.1111/1467-8365.12188

  2. Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910–48

    Art History

    Volume 36, Issue 5, November 2013, Pages: 1042–1069, Devika Singh

    Version of Record online : 17 SEP 2013, DOI: 10.1111/1467-8365.12038

  3. ‘(Un)richtige Aufnahme’: Renaissance Sculpture and the Visual Historiography of Art History

    Art History

    Volume 36, Issue 1, February 2013, Pages: 12–51, Geraldine A. Johnson

    Version of Record online : 26 JUL 2012, DOI: 10.1111/j.1467-8365.2012.00917.x

  4. The Worldly Artist in the Seventeenth Century: The Travels of Cornelis Claesz. Heda

    Art History

    Volume 37, Issue 5, November 2014, Pages: 860–889, Deborah Hutton and Rebecca Tucker

    Version of Record online : 17 JUN 2014, DOI: 10.1111/1467-8365.12101

  5. Art History from the Bottom Up

    Art History

    Volume 36, Issue 2, April 2013, Pages: 280–309, Patricia Rubin

    Version of Record online : 18 MAR 2013, DOI: 10.1111/1467-8365.12002

  6. The Genesis of Struktur: Kaschnitz-Weinberg's Review of Riegl and the New Viennese School

    Art History

    Volume 39, Issue 1, February 2016, Pages: 70–83, Martin Schwarz and Jaś Elsner

    Version of Record online : 4 DEC 2015, DOI: 10.1111/1467-8365.12189

  7. Succession and Recursion in Heinrich Wölfflin's Principles of Art History

    The Journal of Aesthetics and Art Criticism

    Volume 73, Issue 2, Spring 2015, Pages: 157–164, WHITNEY DAVIS

    Version of Record online : 24 APR 2015, DOI: 10.1111/jaac.12162

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    The Clever Object: Three Pavilions, Three Loggias, and a Planetarium

    Art History

    Volume 36, Issue 3, June 2013, Pages: 474–497, Matthew C. Hunter and Francesco Lucchini

    Version of Record online : 16 MAY 2013, DOI: 10.1111/1467-8365.12015

  9. Tintoretto's Time

    Art History

    Volume 38, Issue 3, June 2015, Pages: 414–433, Kamini Vellodi

    Version of Record online : 28 OCT 2014, DOI: 10.1111/1467-8365.12131

  10. FROM STILUS TO STYLE: REFLECTIONS ON THE FATE OF A NOTION

    Art History

    Volume 6, Issue 3, September 1983, Pages: 253–270, Willibald Sauerländer

    Version of Record online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1983.tb00815.x

  11. A PLEA FOR INTERNATIONALITY

    Art History

    Volume 1, Issue 4, December 1978, Pages: v–viii, Jan Bialostocki

    Version of Record online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1978.tb00024.x

  12. Visuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art

    Art History

    Volume 38, Issue 3, June 2015, Pages: 434–461, Andrea Pearson

    Version of Record online : 3 FEB 2015, DOI: 10.1111/1467-8365.12135

  13. The Motionless Look of a Painting: Jules Bastien-Lepage, Les Foins, and the End of Realism

    Art History

    Volume 37, Issue 1, February 2014, Pages: 38–67, Marnin Young

    Version of Record online : 10 NOV 2013, DOI: 10.1111/1467-8365.12061

  14. ‘Sovereignty belongs to God’: Text, Ornament and Magic in Islamic and Christian Seville

    Art History

    Volume 38, Issue 5, November 2015, Pages: 838–861, Tom Nickson

    Version of Record online : 21 AUG 2015, DOI: 10.1111/1467-8365.12186

  15. Variantology

    Art History

    Volume 36, Issue 5, November 2013, Pages: 1095–1098, Barnaby Dicker

    Version of Record online : 22 OCT 2013, DOI: 10.1111/1467-8365.12054

  16. Embodied Ambiguities on the Prima Porta Augustus

    Art History

    Volume 36, Issue 2, April 2013, Pages: 242–279, Michael Squire

    Version of Record online : 13 FEB 2013, DOI: 10.1111/1467-8365.12007

  17. A Hysterical Reading of Rodin's Gates of Hell

    Art History

    Volume 36, Issue 5, November 2013, Pages: 994–1017, Natasha Ruiz-Gómez

    Version of Record online : 9 SEP 2013, DOI: 10.1111/1467-8365.12047

  18. The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847–1873

    Art History

    Volume 34, Issue 1, February 2011, Pages: 54–79, Matthew Rampley

    Version of Record online : 14 JAN 2011, DOI: 10.1111/j.1467-8365.2010.00801.x

  19. Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque

    The Journal of Aesthetics and Art Criticism

    Volume 73, Issue 2, Spring 2015, Pages: 171–178, MICHAEL NEWALL

    Version of Record online : 24 APR 2015, DOI: 10.1111/jaac.12156

  20. Text and Display: Julius Meier-Graefe, the 1906 White Centennial in Berlin, and the Canon of Modern Art

    Art History

    Volume 38, Issue 1, February 2015, Pages: 138–169, Françoise Forster-Hahn

    Version of Record online : 14 OCT 2014, DOI: 10.1111/1467-8365.12105