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There are 56886 results for: content related to: Clever Objects – Tell-Tale Objects

  1. You have free access to this content
    Text and Display: Julius Meier-Graefe, the 1906 White Centennial in Berlin, and the Canon of Modern Art

    Art History

    Volume 38, Issue 1, February 2015, Pages: 138–169, Françoise Forster-Hahn

    Article first published online : 14 OCT 2014, DOI: 10.1111/1467-8365.12105

  2. Multiple Impressions: Christ in the Winepress and the Semiotics of the Printed Image

    Art History

    Volume 36, Issue 2, April 2013, Pages: 310–337, Elina Gertsman

    Article first published online : 25 FEB 2013, DOI: 10.1111/1467-8365.12000

  3. The Clever Object: Three Pavilions, Three Loggias, and a Planetarium

    Art History

    Volume 36, Issue 3, June 2013, Pages: 474–497, Matthew C. Hunter and Francesco Lucchini

    Article first published online : 16 MAY 2013, DOI: 10.1111/1467-8365.12015

  4. Visuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art

    Art History

    Volume 38, Issue 3, June 2015, Pages: 434–461, Andrea Pearson

    Article first published online : 3 FEB 2015, DOI: 10.1111/1467-8365.12135

  5. The Motionless Look of a Painting: Jules Bastien-Lepage, Les Foins, and the End of Realism

    Art History

    Volume 37, Issue 1, February 2014, Pages: 38–67, Marnin Young

    Article first published online : 10 NOV 2013, DOI: 10.1111/1467-8365.12061

  6. Defending Deformation: Maurice Denis's Positivist Modernism

    Art History

    Allison Morehead

    Article first published online : 19 FEB 2015, DOI: 10.1111/1467-8365.12146

  7. Academic Intimacies: Portraits of Family, Friendship, and Rivalry at the Académie Royale

    Art History

    Volume 36, Issue 2, April 2013, Pages: 338–365, Hannah Williams

    Article first published online : 12 FEB 2013, DOI: 10.1111/1467-8365.12003

  8. Embodied Ambiguities on the Prima Porta Augustus

    Art History

    Volume 36, Issue 2, April 2013, Pages: 242–279, Michael Squire

    Article first published online : 13 FEB 2013, DOI: 10.1111/1467-8365.12007

  9. A Hysterical Reading of Rodin's Gates of Hell

    Art History

    Volume 36, Issue 5, November 2013, Pages: 994–1017, Natasha Ruiz-Gómez

    Article first published online : 9 SEP 2013, DOI: 10.1111/1467-8365.12047

  10. Suspended Collectivity: Horace Vernet's The Crossing of the Arcole Bridge (1826)

    Art History

    Volume 37, Issue 3, June 2014, Pages: 428–453, Katie Hornstein

    Article first published online : 9 APR 2014, DOI: 10.1111/1467-8365.12087

  11. Picture, Object, Puzzle, Prompter: Devilish Cleverness in Restoration London

    Art History

    Volume 36, Issue 3, June 2013, Pages: 546–567, Matthew C. Hunter

    Article first published online : 16 MAY 2013, DOI: 10.1111/1467-8365.12018

  12. Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude

    Art History

    Volume 36, Issue 4, September 2013, Pages: 714–739, Jill Burke

    Article first published online : 10 JUL 2013, DOI: 10.1111/1467-8365.12029

  13. The Worldly Artist in the Seventeenth Century: The Travels of Cornelis Claesz. Heda

    Art History

    Volume 37, Issue 5, November 2014, Pages: 860–889, Deborah Hutton and Rebecca Tucker

    Article first published online : 17 JUN 2014, DOI: 10.1111/1467-8365.12101

  14. The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany

    Art History

    Volume 36, Issue 4, September 2013, Pages: 784–809, Michael Cowan

    Article first published online : 4 JUL 2013, DOI: 10.1111/1467-8365.12031

  15. Art History from the Bottom Up

    Art History

    Volume 36, Issue 2, April 2013, Pages: 280–309, Patricia Rubin

    Article first published online : 18 MAR 2013, DOI: 10.1111/1467-8365.12002

  16. You have free access to this content
    Frans Floris's Allegory of the Trinity (1562) and the Limits of Tolerance

    Art History

    Volume 38, Issue 1, February 2015, Pages: 38–67, Edward H. Wouk

    Article first published online : 14 OCT 2014, DOI: 10.1111/1467-8365.12127

  17. Mantegna the Grammarian

    Art History

    Volume 37, Issue 2, April 2014, Pages: 276–292, Guillaume Cassegrain

    Article first published online : 17 MAR 2014, DOI: 10.1111/1467-8365.12075

  18. Heterogeneity, the City, and Cinema in Alberto Cavalcanti's Rien que les heures

    Art History

    Volume 36, Issue 5, November 2013, Pages: 1018–1041, Margaret Werth

    Article first published online : 9 SEP 2013, DOI: 10.1111/1467-8365.12046

  19. Picturing Autonomy: David Smith, Photography and Sculpture

    Art History

    Volume 37, Issue 3, June 2014, Pages: 536–565, Sarah Hamill

    Article first published online : 9 APR 2014, DOI: 10.1111/1467-8365.12086

  20. ‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France

    Art History

    Volume 36, Issue 4, September 2013, Pages: 740–767, Steven Adams

    Article first published online : 10 JUL 2013, DOI: 10.1111/1467-8365.12028