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There are 1122 results for: content related to: Framing the Miraculous: The Devotional Functions of Perspective in Italian Renaissance Tabernacle Design

  1. A Hysterical Reading of Rodin's Gates of Hell

    Art History

    Volume 36, Issue 5, November 2013, Pages: 994–1017, Natasha Ruiz-Gómez

    Article first published online : 9 SEP 2013, DOI: 10.1111/1467-8365.12047

  2. Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude

    Art History

    Volume 36, Issue 4, September 2013, Pages: 714–739, Jill Burke

    Article first published online : 10 JUL 2013, DOI: 10.1111/1467-8365.12029

  3. Text and Display: Julius Meier-Graefe, the 1906 White Centennial in Berlin, and the Canon of Modern Art

    Art History

    Volume 38, Issue 1, February 2015, Pages: 138–169, Françoise Forster-Hahn

    Article first published online : 14 OCT 2014, DOI: 10.1111/1467-8365.12105

  4. Frans Floris's Allegory of the Trinity (1562) and the Limits of Tolerance

    Art History

    Volume 38, Issue 1, February 2015, Pages: 38–67, Edward H. Wouk

    Article first published online : 14 OCT 2014, DOI: 10.1111/1467-8365.12127

  5. Redefining the Altarpiece in Early Renaissance Italy: Giotto's Stigmatization of Saint Francis and its Pisan Context

    Art History

    Volume 36, Issue 4, September 2013, Pages: 686–713, Donal Cooper

    Article first published online : 10 JUL 2013, DOI: 10.1111/1467-8365.12030

  6. Salvator Rosa's Allegory of Philosophy as Ut Pictura Rhetorica: Eloquent Gesture and the Pursuit of Artistic Decorum

    Art History

    Volume 36, Issue 5, November 2013, Pages: 944–967, Alexandra Hoare

    Article first published online : 3 SEP 2013, DOI: 10.1111/1467-8365.12034

  7. Andrea Mantegna: Painting's Mediality

    Art History

    Volume 37, Issue 2, April 2014, Pages: 222–253, Klaus Krüger

    Article first published online : 17 MAR 2014, DOI: 10.1111/1467-8365.12073

  8. Poetry Written in Gasoline: Black Mask and Up Against the Wall Motherfucker

    Art History

    Volume 38, Issue 1, February 2015, Pages: 170–209, Gavin Grindon

    Article first published online : 8 DEC 2014, DOI: 10.1111/1467-8365.12129

  9. Caspar David Friedrich and the Anatomy of Nature

    Art History

    Volume 37, Issue 3, June 2014, Pages: 454–481, Nina Amstutz

    Article first published online : 9 APR 2014, DOI: 10.1111/1467-8365.12083

  10. The Worldly Artist in the Seventeenth Century: The Travels of Cornelis Claesz. Heda

    Art History

    Volume 37, Issue 5, November 2014, Pages: 860–889, Deborah Hutton and Rebecca Tucker

    Article first published online : 17 JUN 2014, DOI: 10.1111/1467-8365.12101

  11. The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany

    Art History

    Volume 36, Issue 4, September 2013, Pages: 784–809, Michael Cowan

    Article first published online : 4 JUL 2013, DOI: 10.1111/1467-8365.12031

  12. Heterogeneity, the City, and Cinema in Alberto Cavalcanti's Rien que les heures

    Art History

    Volume 36, Issue 5, November 2013, Pages: 1018–1041, Margaret Werth

    Article first published online : 9 SEP 2013, DOI: 10.1111/1467-8365.12046

  13. Picturing Autonomy: David Smith, Photography and Sculpture

    Art History

    Volume 37, Issue 3, June 2014, Pages: 536–565, Sarah Hamill

    Article first published online : 9 APR 2014, DOI: 10.1111/1467-8365.12086

  14. ‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France

    Art History

    Volume 36, Issue 4, September 2013, Pages: 740–767, Steven Adams

    Article first published online : 10 JUL 2013, DOI: 10.1111/1467-8365.12028

  15. Artifice and Stability in Late Mantegna

    Art History

    Volume 37, Issue 2, April 2014, Pages: 352–375, Andrea Bolland

    Article first published online : 17 MAR 2014, DOI: 10.1111/1467-8365.12079

  16. Indian Nationalist Art History and the Writing and Exhibiting of Mughal Art, 1910–48

    Art History

    Volume 36, Issue 5, November 2013, Pages: 1042–1069, Devika Singh

    Article first published online : 17 SEP 2013, DOI: 10.1111/1467-8365.12038

  17. Conflict and Consolation: British Art and the First World War, 1914–1919

    Art History

    Volume 36, Issue 4, September 2013, Pages: 810–833, James Fox

    Article first published online : 21 JUN 2013, DOI: 10.1111/1467-8365.12033

  18. Figures at the Intersection: Pierre Bonnard, Stéphane Mallarmé, and the Revue blanche

    Art History

    Volume 37, Issue 3, June 2014, Pages: 482–509, Janis Bergman-Carton

    Article first published online : 9 APR 2014, DOI: 10.1111/1467-8365.12084

  19. Hybrid Projection, Machinic Exhibition and the Eighteenth-Century Critique of Vision

    Art History

    Volume 37, Issue 5, November 2014, Pages: 912–939, Rod Bantjes

    Article first published online : 10 JUN 2014, DOI: 10.1111/1467-8365.12099

  20. The Motionless Look of a Painting: Jules Bastien-Lepage, Les Foins, and the End of Realism

    Art History

    Volume 37, Issue 1, February 2014, Pages: 38–67, Marnin Young

    Article first published online : 10 NOV 2013, DOI: 10.1111/1467-8365.12061