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There are 129216 results for: content related to: Signing Mantegna

  1. Changing Forms: Mantegna's Poietics in the Camera Picta

    Art History

    Volume 37, Issue 2, April 2014, Pages: 294–312, Jérémie Koering

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12076

  2. Artifice and Stability in Late Mantegna

    Art History

    Volume 37, Issue 2, April 2014, Pages: 352–375, Andrea Bolland

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12079

  3. Andrea Mantegna: Painting's Mediality

    Art History

    Volume 37, Issue 2, April 2014, Pages: 222–253, Klaus Krüger

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12073

  4. Mantegna the Grammarian

    Art History

    Volume 37, Issue 2, April 2014, Pages: 276–292, Guillaume Cassegrain

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12075

  5. The Griffin's Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna's Trial of St James

    Art History

    Volume 37, Issue 2, April 2014, Pages: 334–351, Andreas Hauser

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12078

  6. Mantegna's Camera Picta: Visuality and Pathos

    Art History

    Volume 37, Issue 2, April 2014, Pages: 314–332, Stephen J. Campbell

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12077

  7. In Search of Mantegna's Poetics: An Introduction

    Art History

    Volume 37, Issue 2, April 2014, Pages: 208–221, Stephen J. Campbell and Jérémie Koering

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12072

  8. Mantegna's Fictive Bronze Judith and Dido: Beyond Exemplarity

    Art History

    Volume 37, Issue 2, April 2014, Pages: 376–399, Francis Fletcher

    Version of Record online : 17 MAR 2014, DOI: 10.1111/1467-8365.12080

  9. Portrait and Imprint in Fifteenth-Century Italy

    Art History

    Volume 38, Issue 1, February 2015, Pages: 10–37, Joost Keizer

    Version of Record online : 16 DEC 2014, DOI: 10.1111/1467-8365.12132

  10. Statuino: An Undercurrent of Anticlassicism in Italian Baroque Art Theory

    Art History

    Volume 38, Issue 5, November 2015, Pages: 862–889, Lorenzo Pericolo

    Version of Record online : 2 SEP 2015, DOI: 10.1111/1467-8365.12187

  11. Framing the Miraculous: The Devotional Functions of Perspective in Italian Renaissance Tabernacle Design

    Art History

    Volume 36, Issue 5, November 2013, Pages: 898–921, Paul Davies

    Version of Record online : 11 SEP 2013, DOI: 10.1111/1467-8365.12032

  12. Caspar David Friedrich and the Anatomy of Nature

    Art History

    Volume 37, Issue 3, June 2014, Pages: 454–481, Nina Amstutz

    Version of Record online : 9 APR 2014, DOI: 10.1111/1467-8365.12083

  13. A Hysterical Reading of Rodin's Gates of Hell

    Art History

    Volume 36, Issue 5, November 2013, Pages: 994–1017, Natasha Ruiz-Gómez

    Version of Record online : 9 SEP 2013, DOI: 10.1111/1467-8365.12047

  14. Suspended Collectivity: Horace Vernet's The Crossing of the Arcole Bridge (1826)

    Art History

    Volume 37, Issue 3, June 2014, Pages: 428–453, Katie Hornstein

    Version of Record online : 9 APR 2014, DOI: 10.1111/1467-8365.12087

  15. Nakedness and Other Peoples: Rethinking the Italian Renaissance Nude

    Art History

    Volume 36, Issue 4, September 2013, Pages: 714–739, Jill Burke

    Version of Record online : 10 JUL 2013, DOI: 10.1111/1467-8365.12029

  16. Text and Display: Julius Meier-Graefe, the 1906 White Centennial in Berlin, and the Canon of Modern Art

    Art History

    Volume 38, Issue 1, February 2015, Pages: 138–169, Françoise Forster-Hahn

    Version of Record online : 14 OCT 2014, DOI: 10.1111/1467-8365.12105

  17. The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany

    Art History

    Volume 36, Issue 4, September 2013, Pages: 784–809, Michael Cowan

    Version of Record online : 4 JUL 2013, DOI: 10.1111/1467-8365.12031

  18. ‘Sweet in the Mouth, Bitter in the Belly’: Seeing Double in an Eccentric French Renaissance Book of Hours

    Art History

    Volume 36, Issue 5, November 2013, Pages: 922–943, Rebecca Zorach

    Version of Record online : 18 SEP 2013, DOI: 10.1111/1467-8365.12035

  19. Heterogeneity, the City, and Cinema in Alberto Cavalcanti's Rien que les heures

    Art History

    Volume 36, Issue 5, November 2013, Pages: 1018–1041, Margaret Werth

    Version of Record online : 9 SEP 2013, DOI: 10.1111/1467-8365.12046

  20. Picturing Autonomy: David Smith, Photography and Sculpture

    Art History

    Volume 37, Issue 3, June 2014, Pages: 536–565, Sarah Hamill

    Version of Record online : 9 APR 2014, DOI: 10.1111/1467-8365.12086