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There are 15317 results for: content related to: America on the World Stage: Music and Twentieth-Century U.S. Foreign Relations

  1. Agglomeration economies in classical music

    Papers in Regional Science

    Volume 94, Issue 3, August 2015, Pages: 443–468, Karol J Borowiecki

    Version of Record online : 1 NOV 2013, DOI: 10.1111/pirs.12078

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    Shaping the Policies of Cold War Musical Diplomacy: An Epistemic Community of American Composers

    Diplomatic History

    Volume 36, Issue 1, January 2012, Pages: 41–52, EMILY ABRAMS ANSARI

    Version of Record online : 19 JAN 2012, DOI: 10.1111/j.1467-7709.2011.01007.x

  3. Facing the music: Rituals of belonging and recognition in contemporary Western art music

    American Ethnologist

    Volume 36, Issue 1, February 2009, Pages: 140–160, YARA EL-GHADBAN

    Version of Record online : 24 FEB 2009, DOI: 10.1111/j.1548-1425.2008.01105.x

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    Creating Something Out of Nothing: The Office of Inter-American Affairs Music Committee (1940–1941) and the Inception of a Policy for Musical Diplomacy

    Diplomatic History

    Volume 36, Issue 1, January 2012, Pages: 29–39, JENNIFER L. CAMPBELL

    Version of Record online : 19 JAN 2012, DOI: 10.1111/j.1467-7709.2011.01006.x

  5. Repertoire Conventionality in Major US Symphony Orchestras: Factors Influencing Management's Programming Choices

    Managerial and Decision Economics

    Volume 36, Issue 2, March 2015, Pages: 97–108, Lawrence Tamburri, Johnathan Munn and Jeffrey Pompe

    Version of Record online : 6 NOV 2013, DOI: 10.1002/mde.2654

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    Music Pushed, Music Pulled: Cultural Diplomacy, Globalization, and Imperialism

    Diplomatic History

    Volume 36, Issue 1, January 2012, Pages: 53–64, DANIELLE FOSLER-LUSSIER

    Version of Record online : 19 JAN 2012, DOI: 10.1111/j.1467-7709.2011.01008.x

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    The Sound of Musical Diplomacy

    Diplomatic History

    Volume 36, Issue 1, January 2012, Pages: 71–75, KATHRYN C. STATLER

    Version of Record online : 19 JAN 2012, DOI: 10.1111/j.1467-7709.2011.01010.x

  8. Statistical Form amongst the Darmstadt School

    Music Analysis

    Volume 33, Issue 3, October 2014, Pages: 341–387, Jennifer Iverson

    Version of Record online : 18 AUG 2014, DOI: 10.1111/musa.12037

  9. Music and Politics in Germany 1933–1955: Approaches and Challenges

    History Compass

    Volume 5, Issue 4, June 2007, Pages: 1338–1358, Toby Thacker

    Version of Record online : 5 JUN 2007, DOI: 10.1111/j.1478-0542.2007.00449.x

  10. From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System

    Journal of Management Studies

    Volume 42, Issue 5, July 2005, Pages: 1031–1055, Mary Ann Glynn and Michael Lounsbury

    Version of Record online : 1 JUL 2005, DOI: 10.1111/j.1467-6486.2005.00531.x

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    Meteorological phenomena in Western classical orchestral music

    Weather

    Volume 66, Issue 11, November 2011, Pages: 300–306, Karen L. Aplin and Paul D. Williams

    Version of Record online : 27 OCT 2011, DOI: 10.1002/wea.765

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    The World Is Ready to Listen: Symphony Orchestras and the Global Performance of America

    Diplomatic History

    Volume 36, Issue 1, January 2012, Pages: 17–28, JESSICA C. E. GIENOW-HECHT

    Version of Record online : 19 JAN 2012, DOI: 10.1111/j.1467-7709.2011.01005.x

  13. The role of classical music in the construction of nationalism: a cross-national perspective

    Nations and Nationalism

    Volume 20, Issue 4, October 2014, Pages: 664–682, Benedikte Brincker

    Version of Record online : 22 SEP 2014, DOI: 10.1111/nana.12088

  14. “Try and Fall Sick …”—The Composer, Chemist, and Surgeon Aleksandr Borodin

    Angewandte Chemie International Edition

    Volume 49, Issue 37, September 3, 2010, Pages: 6490–6495, Joachim Podlech

    Version of Record online : 16 AUG 2010, DOI: 10.1002/anie.201002023

  15. Corporatisation, Economic Efficiency and the Australian Symphony Orchestras

    Economic Papers: A journal of applied economics and policy

    Volume 31, Issue 1, March 2012, Pages: 36–49, Stephen Boyle and David Throsby

    Version of Record online : 20 FEB 2012, DOI: 10.1111/j.1759-3441.2011.00150.x

  16. Who Is a Diplomat?

    Diplomatic History

    Volume 35, Issue 1, January 2011, Pages: 85–88, Karen Ahlquist

    Version of Record online : 27 DEC 2010, DOI: 10.1111/j.1467-7709.2010.00924.x

  17. Gender bias in the evaluation of New Age music

    Scandinavian Journal of Psychology

    Volume 44, Issue 2, April 2003, Pages: 125–131, Ann Colley, Adrian North and David J. Hargreaves

    Version of Record online : 4 APR 2003, DOI: 10.1111/1467-9450.00330

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    Mutual Deformity: Ignaz Moscheles's Seventh and William Sterndale Bennett's Fourth Piano Concertos

    Music Analysis

    Volume 35, Issue 1, March 2016, Pages: 75–109, Benedict Taylor

    Version of Record online : 15 DEC 2015, DOI: 10.1111/musa.12062

  19. In Search of Romantic Form

    Music Analysis

    Volume 32, Issue 3, October 2013, Pages: 404–431, Steven Vande Moortele

    Version of Record online : 24 JUN 2013, DOI: 10.1111/musa.12015

  20. Sounds of War: Music in the United States during World War II Annegret Fauser. New York: Oxford University Press, 2013.

    The Journal of American Culture

    Volume 38, Issue 1, March 2015, Pages: 81–82, James A. Kaser

    Version of Record online : 23 FEB 2015, DOI: 10.1111/jacc.12297