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There are 12344 results for: content related to: TITIAN'S VEILS

  1. Uncovering beauty: Titian's Triumph of Love in the Vendramin collection

    Renaissance Studies

    Volume 26, Issue 2, April 2012, Pages: 218–242, CATHERINE WHISTLER

    Version of Record online : 1 MAR 2011, DOI: 10.1111/j.1477-4658.2011.00719.x

  2. Titian's portrait of Laura Eustochia: the decorum of female beauty and the motif of the black page

    Renaissance Studies

    Volume 17, Issue 4, December 2003, Pages: 628–673, Jane Fair Bestor

    Version of Record online : 12 DEC 2003, DOI: 10.1111/j.1477-4658.2003.00040.x

  3. Titian's London Allegory and the three beasts of his selva oscura

    Renaissance Studies

    Volume 14, Issue 1, March 2000, Pages: 46–69, Simona Cohen

    Version of Record online : 15 AUG 2008, DOI: 10.1111/j.1477-4658.2000.tb00371.x

  4. Aristotle, Titian, and Tragic Painting

    Art and Thought

    Dana Arnold, Margaret Iversen, Pages: 9–27, 2008

    Published Online : 25 FEB 2008, DOI: 10.1002/9780470774199.ch1

  5. Titian's Ruggiero and Angelica: a tribute to Ludovico Ariosto

    Renaissance Studies

    Volume 15, Issue 3, September 2001, Pages: 287–300, L Freedman

    Version of Record online : 16 JUL 2003, DOI: 10.1111/1477-4658.00371

  6. Reviews of exhibitions

    Renaissance Studies

    Volume 18, Issue 1, March 2004, Pages: 113–123,

    Version of Record online : 30 MAR 2004, DOI: 10.1111/j.0269-1213.2004.0052b.x

  7. Titian, Tintoretto, and Veronese: Rivals in Renaissance Venice (Museum of Fine Arts, Boston, 15 March–16 August 2009 and Musée du Louvre, Paris, 14 September 2009–4 January 2010) – Catalogue by Frederick Illchman

    Renaissance Studies

    Volume 24, Issue 3, June 2010, Pages: 437–444, Thomas McGrath

    Version of Record online : 1 DEC 2009, DOI: 10.1111/j.1477-4658.2009.00625.x

  8. SIGNPOSTS OF INVENTION: ARTISTS' SIGNATURES IN ITALIAN RENAISSANCE ART

    Art History

    Volume 29, Issue 4, September 2006, Pages: 563–599, PATRICIA RUBIN

    Version of Record online : 6 DEC 2006, DOI: 10.1111/j.1467-8365.2006.00515.x

  9. ‘To see ourselves as others see us’: Giovanni Francesco Zaninello of Ferrara and the portrait of Isabella d’Este by Francesco Francia

    Renaissance Studies

    Volume 23, Issue 3, June 2009, Pages: 288–310, Sally Hickson

    Version of Record online : 25 MAR 2009, DOI: 10.1111/j.1477-4658.2009.00565.x

  10. Titian's Jacopo da Strada: a portrait of an ‘antiquario’

    Renaissance Studies

    Volume 13, Issue 1, March 1999, Pages: 15–39, Luba Freedman

    Version of Record online : 15 AUG 2008, DOI: 10.1111/j.1477-4658.1999.tb00063.x

  11. Titian's three-altar project in the Venetian church of San Salvador: strategies of self-representation by members of the Scuola Grande di San Rocco

    Renaissance Studies

    Volume 15, Issue 4, December 2001, Pages: 450–472, D Bohde

    Version of Record online : 18 JAN 2005, DOI: 10.1111/1477-4658.00376

  12. Titian the second Apelles: the Death of Actaeon

    Renaissance Studies

    Volume 13, Issue 3, September 1999, Pages: 303–311, Richard Cocke

    Version of Record online : 15 AUG 2008, DOI: 10.1111/j.1477-4658.1999.tb00079.x

  13. TITIAN'S MARTYRDOM OF ST PETER MARTYR AND THE ‘LIMITATIONs’ OF EKPHRASTIC ART CRITICISM

    Art History

    Volume 13, Issue 3, September 1990, Pages: 293–317, Norman E. Land

    Version of Record online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1990.tb00398.x

  14. Titian and the Problems of Style Criticism

    The Art Book

    Volume 10, Issue 2, March 2003, Pages: 4–6, John Steer

    Version of Record online : 22 DEC 2003, DOI: 10.1111/1467-8357.00322

  15. THE CAMERINO OF ALFONSO I D'ESTE

    Art History

    Volume 1, Issue 2, June 1978, Pages: 162–190, Dana Goodgal

    Version of Record online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1978.tb00011.x

  16. Where Ethics and Aesthetics Meet: Titian's Rape of Europa

    Hypatia

    Volume 18, Issue 4, November 2003, Pages: 159–188, A. W. Eaton

    Version of Record online : 9 JAN 2009, DOI: 10.1111/j.1527-2001.2003.tb01417.x

  17. Art History from the Bottom Up

    Art History

    Volume 36, Issue 2, April 2013, Pages: 280–309, Patricia Rubin

    Version of Record online : 18 MAR 2013, DOI: 10.1111/1467-8365.12002

  18. The decorum of women's beauty: Trissino, Firenzuola, Luigini and the representation of women in sixteenth-century painting

    Renaissance Studies

    Volume 2, Issue 1, March 1988, Pages: 47–88, Mary Rogers

    Version of Record online : 10 SEP 2008, DOI: 10.1111/j.1477-4658.1988.tb00137.x

  19. Titian in London: Retrospect on a Great Exhibition

    The Art Book

    Volume 11, Issue 2, March 2004, Pages: 3–5, John Steer

    Version of Record online : 10 FEB 2004, DOI: 10.1111/j.1467-8357.2004.00397.x

  20. GIORGIONE'S TEMPESTA AND TITIAN'S ASSUNTA IN THE CONTEXT OF THE CAMBRAI WARS

    Art History

    Volume 8, Issue 3, September 1985, Pages: 271–289, Deborah Howard

    Version of Record online : 23 DEC 2013, DOI: 10.1111/j.1467-8365.1985.tb00168.x