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There are 37739 results for: content related to: How One Should Photograph Sculpture

  1. ‘(Un)richtige Aufnahme’: Renaissance Sculpture and the Visual Historiography of Art History

    Art History

    Volume 36, Issue 1, February 2013, Pages: 12–51, Geraldine A. Johnson

    Version of Record online : 26 JUL 2012, DOI: 10.1111/j.1467-8365.2012.00917.x

  2. The Clever Object: Three Pavilions, Three Loggias, and a Planetarium

    Art History

    Volume 36, Issue 3, June 2013, Pages: 474–497, Matthew C. Hunter and Francesco Lucchini

    Version of Record online : 16 MAY 2013, DOI: 10.1111/1467-8365.12015

  3. PAINTERLY POLITICS: WÖLFFLIN, FORMALISM AND GERMAN ACADEMIC CULTURE, 1885–1915

    Art History

    Volume 27, Issue 3, June 2004, Pages: 431–456, Daniel Adler

    Version of Record online : 29 JUN 2004, DOI: 10.1111/j.0141-6790.2004.00431.x

  4. Text and Display: Julius Meier-Graefe, the 1906 White Centennial in Berlin, and the Canon of Modern Art

    Art History

    Volume 38, Issue 1, February 2015, Pages: 138–169, Françoise Forster-Hahn

    Version of Record online : 14 OCT 2014, DOI: 10.1111/1467-8365.12105

  5. Elizabeth Eastlake's History of our Lord as exemplified in works of art:Theology, Art and Aesthetic Reaction

    Art History

    Volume 35, Issue 4, September 2012, Pages: 750–777, Adele M. Ernstrom

    Version of Record online : 22 MAY 2012, DOI: 10.1111/j.1467-8365.2012.00913.x

  6. Succession and Recursion in Heinrich Wölfflin's Principles of Art History

    The Journal of Aesthetics and Art Criticism

    Volume 73, Issue 2, Spring 2015, Pages: 157–164, WHITNEY DAVIS

    Version of Record online : 24 APR 2015, DOI: 10.1111/jaac.12162

  7. Entropic Segers

    Art History

    Volume 35, Issue 5, November 2012, Pages: 934–957, Christopher P. Heuer

    Version of Record online : 8 NOV 2012, DOI: 10.1111/j.1467-8365.2012.00931.x

  8. Two-Dimensional Versus Three-Dimensional Pictorial Organization

    The Journal of Aesthetics and Art Criticism

    Volume 73, Issue 2, Spring 2015, Pages: 149–157, BENCE NANAY

    Version of Record online : 24 APR 2015, DOI: 10.1111/jaac.12160

  9. Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque

    The Journal of Aesthetics and Art Criticism

    Volume 73, Issue 2, Spring 2015, Pages: 171–178, MICHAEL NEWALL

    Version of Record online : 24 APR 2015, DOI: 10.1111/jaac.12156

  10. Intuition and Representation: Wölfflin's Fundamental Concepts of Art History

    The Journal of Aesthetics and Art Criticism

    Volume 73, Issue 2, Spring 2015, Pages: 164–171, JASON GAIGER

    Version of Record online : 24 APR 2015, DOI: 10.1111/jaac.12161

  11. Die Rückkehr der Wölfe. Das erste Jahrzehnt

    Biologie in unserer Zeit

    Volume 40, Issue 4, August 2010, Pages: 244–253, Hermann Ansorge, Maika Holzapfel, Gesa Kluth, Ilka Reinhardt and Carina Wagner

    Version of Record online : 12 AUG 2010, DOI: 10.1002/biuz.201010425

  12. Painting and Philosophy

    Philosophy Compass

    Volume 9, Issue 4, April 2014, Pages: 225–237, Michael Newall

    Version of Record online : 3 APR 2014, DOI: 10.1111/phc3.12122

  13. Visuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art

    Art History

    Volume 38, Issue 3, June 2015, Pages: 434–461, Andrea Pearson

    Version of Record online : 3 FEB 2015, DOI: 10.1111/1467-8365.12135

  14. Embodied Ambiguities on the Prima Porta Augustus

    Art History

    Volume 36, Issue 2, April 2013, Pages: 242–279, Michael Squire

    Version of Record online : 13 FEB 2013, DOI: 10.1111/1467-8365.12007

  15. A Hysterical Reading of Rodin's Gates of Hell

    Art History

    Volume 36, Issue 5, November 2013, Pages: 994–1017, Natasha Ruiz-Gómez

    Version of Record online : 9 SEP 2013, DOI: 10.1111/1467-8365.12047

  16. The Grace of Time: narrativity, sexuality and a visual encounter in the Virtual Feminist Museum

    Art History

    Volume 26, Issue 2, April 2003, Pages: 174–213, Griselda Pollock

    Version of Record online : 3 FEB 2004, DOI: 10.1111/j.0141-6790.2003.02602007.x

  17. The Branding of the Museum

    Art History

    Volume 37, Issue 1, February 2014, Pages: 148–165, Julian Stallabrass

    Version of Record online : 23 OCT 2013, DOI: 10.1111/1467-8365.12060

  18. The Ambivalence of Ornament: Silhouette Advertisements in Print and Film in Early Twentieth-Century Germany

    Art History

    Volume 36, Issue 4, September 2013, Pages: 784–809, Michael Cowan

    Version of Record online : 4 JUL 2013, DOI: 10.1111/1467-8365.12031

  19. Art History from the Bottom Up

    Art History

    Volume 36, Issue 2, April 2013, Pages: 280–309, Patricia Rubin

    Version of Record online : 18 MAR 2013, DOI: 10.1111/1467-8365.12002

  20. Frans Floris's Allegory of the Trinity (1562) and the Limits of Tolerance

    Art History

    Volume 38, Issue 1, February 2015, Pages: 38–67, Edward H. Wouk

    Version of Record online : 14 OCT 2014, DOI: 10.1111/1467-8365.12127