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There are 12781 results for: content related to: The limits of commodification in traditional Irish music sessions

  1. Musical Training, Bilingualism, and Executive Function: A Closer Look at Task Switching and Dual-Task Performance

    Cognitive Science

    Volume 39, Issue 5, July 2015, Pages: 992–1020, Linda Moradzadeh, Galit Blumenthal and Melody Wiseheart

    Version of Record online : 7 OCT 2014, DOI: 10.1111/cogs.12183

  2. Annotations on musical scores by performing musicians: Collaborative models, interactive methods, and music digital library tool development

    Journal of the American Society for Information Science and Technology

    Volume 59, Issue 12, October 2008, Pages: 1878–1897, Megan A. Winget

    Version of Record online : 8 JUL 2008, DOI: 10.1002/asi.20876

  3. You have free access to this content
    Making It in a Cover Music Scene: Negotiating Artistic Identities in a “Kmart-Level Market”

    Sociological Inquiry

    Volume 87, Issue 1, February 2017, Pages: 153–178, Roscoe C. Scarborough

    Version of Record online : 5 DEC 2016, DOI: 10.1111/soin.12153

  4. With a little help from my friends: Self-interested and prosocial behavior on MySpace Music

    Journal of the American Society for Information Science and Technology

    Volume 61, Issue 5, May 2010, Pages: 952–963, Judd Antin and Matthew Earp

    Version of Record online : 29 JAN 2010, DOI: 10.1002/asi.21294

  5. A tale of two scenes: civic capital and retaining musical talent in Toronto and Halifax

    The Canadian Geographer / Le Géographe canadien

    Volume 55, Issue 3, Fall / automne 2011, Pages: 365–382, BRIAN J. HRACS, JILL L. GRANT, JEFFRY HAGGETT and JESSE MORTON

    Version of Record online : 27 JUN 2011, DOI: 10.1111/j.1541-0064.2011.00364.x

  6. Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry

    The British Journal of Sociology

    Jo Haynes and Lee Marshall

    Version of Record online : 18 SEP 2017, DOI: 10.1111/1468-4446.12286

  7. Language and Music in the Musician Brain

    Language and Linguistics Compass

    Volume 5, Issue 9, September 2011, Pages: 617–634, Mireille Besson, Julie Chobert and Céline Marie

    Version of Record online : 15 SEP 2011, DOI: 10.1111/j.1749-818X.2011.00302.x

  8. Auditory stroop and absolute pitch: An fMRI study

    Human Brain Mapping

    Volume 34, Issue 7, July 2013, Pages: 1579–1590, Katrin Schulze, Karsten Mueller and Stefan Koelsch

    Version of Record online : 22 FEB 2012, DOI: 10.1002/hbm.22010

  9. Coordinated plasticity in brainstem and auditory cortex contributes to enhanced categorical speech perception in musicians

    European Journal of Neuroscience

    Volume 40, Issue 4, August 2014, Pages: 2662–2673, Gavin M. Bidelman, Michael W. Weiss, Sylvain Moreno and Claude Alain

    Version of Record online : 2 JUN 2014, DOI: 10.1111/ejn.12627

  10. Hearing of note: An electrophysiologic and psychoacoustic comparison of pitch discrimination between vocal and instrumental musicians


    Volume 45, Issue 6, November 2008, Pages: 994–1007, Dee A. Nikjeh, Jennifer J. Lister and Stefan A. Frisch

    Version of Record online : 5 SEP 2008, DOI: 10.1111/j.1469-8986.2008.00689.x

  11. Kind of Black: The Musicians' Labour Market in Italy


    Volume 26, Issue 4, December 2012, Pages: 472–491, Alessandro Balestrino

    Version of Record online : 27 JUL 2012, DOI: 10.1111/j.1467-9914.2012.00554.x

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    Connectivity patterns during music listening: Evidence for action-based processing in musicians

    Human Brain Mapping

    Volume 38, Issue 6, June 2017, Pages: 2955–2970, Vinoo Alluri, Petri Toiviainen, Iballa Burunat, Marina Kliuchko, Peter Vuust and Elvira Brattico

    Version of Record online : 28 MAR 2017, DOI: 10.1002/hbm.23565

  13. Neuroarchitecture of verbal and tonal working memory in nonmusicians and musicians

    Human Brain Mapping

    Volume 32, Issue 5, May 2011, Pages: 771–783, Katrin Schulze, Stefan Zysset, Karsten Mueller, Angela D. Friederici and Stefan Koelsch

    Version of Record online : 9 JUN 2010, DOI: 10.1002/hbm.21060

  14. Aesthetic labour in creative industries: the case of independent musicians in Toronto, Canada


    Volume 46, Issue 1, March 2014, Pages: 66–73, Brian J Hracs and Deborah Leslie

    Version of Record online : 20 DEC 2013, DOI: 10.1111/area.12062

  15. Brain processing of consonance/dissonance in musicians and controls: a hemispheric asymmetry revisited

    European Journal of Neuroscience

    Volume 44, Issue 6, September 2016, Pages: 2340–2356, Alice Mado Proverbio, Andrea Orlandi and Francesca Pisanu

    Version of Record online : 2 AUG 2016, DOI: 10.1111/ejn.13330

  16. Alternative Music and the Emergence of a Singaporean Sound

    Journal of Popular Music Studies

    Volume 26, Issue 2-3, June-September 2014, Pages: 346–367, Bernice Loh

    Version of Record online : 25 JUL 2014, DOI: 10.1111/jpms.12080

    Corrected by:

    ERRATUM: Erratum

    Vol. 26, Issue 4, 559, Version of Record online: 27 DEC 2014

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    “The collective circle”: Latino immigrant musicians and politics in Charlotte, North Carolina

    American Ethnologist

    Volume 41, Issue 2, May 2014, Pages: 246–260, SAMUEL BYRD

    Version of Record online : 25 APR 2014, DOI: 10.1111/amet.12073

  18. Join the Ranks! Québec's Musical Union and “Emergent Musics”: A New Field of Cultural Activity?

    Journal of Popular Music Studies

    Volume 19, Issue 3, September 2007, Pages: 274–292, Martin Lussier

    Version of Record online : 30 AUG 2007, DOI: 10.1111/j.1533-1598.2007.00130.x

  19. Two Assemblages of Cultural Transmission: Musicians, Political Actors and Educational Techniques in the Ottoman Empire and Western Europe

    Journal of Historical Sociology

    Volume 23, Issue 3, September 2010, Pages: 343–371, NEDIM KARAKAYALI

    Version of Record online : 5 SEP 2010, DOI: 10.1111/j.1467-6443.2010.01377.x

  20. Cross-sectional study on the relationship between music training and working memory in adults

    Australian Journal of Psychology

    Volume 68, Issue 1, March 2016, Pages: 38–46, Lidia Suárez, Shalini Elangovan and Agnes Au

    Version of Record online : 1 APR 2015, DOI: 10.1111/ajpy.12087