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There are 21131 results for: content related to: RETURN TO THE QUAI BRANLY

  1. Double erasures: rewriting the past at the Musée du quai Branly

    Social Anthropology

    Volume 16, Issue 3, October 2008, Pages: 300–311, Nélia Dias

    Version of Record online : 9 DEC 2008, DOI: 10.1111/j.1469-8676.2008.00048.x

  2. The Enduring Power of Primitivism

    A Companion to Modern African Art

    Gitti Salami, Monica Blackmun Visonà, Pages: 445–465, 2013

    Published Online : 22 OCT 2013, DOI: 10.1002/9781118515105.ch23

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    The Public Sphere as Wilderness: Le Musée du quai Branly

    Museum Anthropology

    Volume 32, Issue 1, Spring 2009, Pages: 1–16, Anthony Alan Shelton

    Version of Record online : 23 MAR 2009, DOI: 10.1111/j.1548-1379.2009.01017.x

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    A Journey to the Musée du quai Branly: The Anthropology of a Visit

    Museum Anthropology

    Volume 40, Issue 1, Spring 2017, Pages: 4–17, Octave Debary and Mélanie Roustan

    Version of Record online : 7 MAR 2017, DOI: 10.1111/muan.12127

  5. “KWOMA RED”: Sharing Contemporary Experiences in a French Museum Context

    Museum Anthropology

    Volume 35, Issue 1, Spring 2012, Pages: 23–34, Magali Mélandri

    Version of Record online : 19 MAR 2012, DOI: 10.1111/j.1548-1379.2012.01119.x

  6. Reconfiguring Kodiak: The Past and the Present in the Present

    American Anthropologist

    Volume 105, Issue 3, September 2003, Pages: 613–620, Molly Lee and Nelson Graburn

    Version of Record online : 7 JAN 2008, DOI: 10.1525/aa.2003.105.3.613

  7. Making a Museum: “it is making theater, not writing theory” An Interview with Stéphane Martin, Présidentdirecteur général, Musée du quai Branly

    Museum Anthropology

    Volume 29, Issue 2, September 2006, Pages: 118–127, Peter Naumann

    Version of Record online : 8 MAY 2008, DOI: 10.1525/mua.2006.29.2.118

  8. The Art of Anthropology: Questioning Contemporary Art in Ethnographic Display

    Standard Article

    The International Handbooks of Museum Studies

    Haidy Geismar

    Published Online : 24 APR 2015, DOI: 10.1002/9781118829059.wbihms110

  9. Art and Ambiguity: An Extended Review of Border Zones at the Museum of Anthropology, British Columbia

    Museum Anthropology

    Volume 35, Issue 2, Fall 2012, Pages: 170–184, Øivind Fuglerud

    Version of Record online : 18 SEP 2012, DOI: 10.1111/j.1548-1379.2012.01130.x

  10. Présentation et interprétation de l’art des autres: le cas des autochtones d’Amérique du Nord

    Museum International (Edition Francaise)

    Volume 62, Issue 3, Septembre 2010, Pages: 31–41, Joëlle Rostkowski

    Version of Record online : 5 FEB 2011, DOI: 10.1111/j.1755-5825.2011.01105.x

  11. MUSEE DU QUAI BRANLY: THE COLLECTION ART FROM AFRICA, ASIA, OCEANIA AND THE AMERICAS BY YVES LE FUR (ED.)

    The Art Book

    Volume 17, Issue 3, August 2010, Page: 30, PHIL BAKER

    Version of Record online : 12 AUG 2010, DOI: 10.1111/j.1467-8357.2010.01113_9.x

  12. Presentation and Interpretation of the Art of Others: the case of Amerindians

    Museum International

    Volume 62, Issue 3, September 2010, Pages: 31–40, Joëlle Rostkowski

    Version of Record online : 5 FEB 2011, DOI: 10.1111/j.1468-0033.2010.01735.x

  13. A Realm of Memory for a Cité d'histoire

    Museum International

    Volume 59, Issue 1-2, May 2007, Pages: 66–72, Maureen Murphy

    Version of Record online : 30 APR 2007, DOI: 10.1111/j.1468-0033.2007.00596.x

  14. PROPERTY AND OWNERSHIP IN VANUATU: The Lengnangulong Sacred Stone from North Ambrym at the Pavillon des Sessions of the Musée du Louvre

    Museum Anthropology

    Volume 40, Issue 2, Fall 2017, Pages: 111–127, Hugo DeBlock

    Version of Record online : 21 SEP 2017, DOI: 10.1111/muan.12138

  15. Un lieu de mémoire pour une cité d'histoire

    Museum International (Edition Francaise)

    Volume 59, Issue 1-2, May 2007, Pages: 67–73, Maureen Murphy

    Version of Record online : 6 MAY 2008, DOI: 10.1111/j.1755-5825.2007.0109x.x

  16. Representing Others: Musée du Quai Branly and Cité Nationale de l'Histoire de l'Immigration

    Curator: The Museum Journal

    Volume 52, Issue 2, April 2009, Pages: 203–211, Tom Hennes

    Version of Record online : 15 JAN 2010, DOI: 10.1111/j.2151-6952.2009.tb00345.x

  17. Effects of pulse addition of carbon sources on continuous cultivation of Escherichia coli containing a recombinant E. coli gapA gene

    Biotechnology and Bioengineering

    Volume 63, Issue 6, 20 June 1999, Pages: 712–720, Anne Gschaedler, Nathalie Robas, Joseph Boudrant and Christiane Branlant

    Version of Record online : 26 MAR 2000, DOI: 10.1002/(SICI)1097-0290(19990620)63:6<712::AID-BIT9>3.0.CO;2-R

  18. Study of RNA–Protein Interactions and RNA Structure in Ribonucleoprotein Particles (RNPs)

    Handbook of RNA Biochemistry: Second, Completely Revised and Enlarged Edition

    Virginie Marchand, Annie Mougin, Agnès Méreau, Isabelle Behm-Ansmant, Yuri Motorin, Christiane Branlant, Pages: 975–1016, 2014

    Published Online : 28 MAR 2014, DOI: 10.1002/9783527647064.ch44

  19. What, or Where, Is the (Museum) Object?: Colonial Encounters in Displayed Worlds of Things

    Standard Article

    The International Handbooks of Museum Studies

    Sandra H. Dudley

    Published Online : 5 DEC 2013, DOI: 10.1002/9781118829059.wbihms991

  20. On Exhibiting Transnational Mobilities: Museum Display Decisions in “Gold Cloths of Sumatra”

    Museum Anthropology

    Volume 35, Issue 2, Fall 2012, Pages: 115–135, Susan Rodgers

    Version of Record online : 18 SEP 2012, DOI: 10.1111/j.1548-1379.2012.01127.x