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There are 27773 results for: content related to: Making a Film about a Sound: The Steel Guitar from Hawaii to the Honky-Tonk

  1. Noncontact Modal Excitation of a Classical Guitar Using Ultrasound Radiation Force

    Experimental Techniques

    Volume 37, Issue 4, July/August 2013, Pages: 38–46, T.M. Huber, N.M. Beaver and J.R. Helps

    Version of Record online : 2 SEP 2011, DOI: 10.1111/j.1747-1567.2011.00775.x

  2. Hardcore Re-visioned: Reading and Misreading in Sonic Youth, 1987–8

    Music Analysis

    Volume 32, Issue 3, October 2013, Pages: 363–403, David Heetderks

    Version of Record online : 25 JUN 2013, DOI: 10.1111/musa.12013

  3. A Study of the Electrochemical Properties of a New Graphitic Material: GUITAR

    ChemElectroChem

    Volume 2, Issue 5, May 13, 2015, Pages: 700–706, Isaiah O. Gyan, Peter M. Wojcik, Prof. Dr. D. Eric Aston, Prof. David N. McIlroy and Prof. Dr. I. Francis Cheng

    Version of Record online : 12 FEB 2015, DOI: 10.1002/celc.201402433

  4. Clarity and Order in Sonic Youth's Early Noise Rock

    Journal of Popular Music Studies

    Volume 25, Issue 1, March 2013, Pages: 13–30, Caroline Polk O’Meara

    Version of Record online : 12 MAR 2013, DOI: 10.1111/jpms.12012

  5. Autonomy, Universality, and Playing the Guitar: On the Politics and Aesthetics of Contemporary Feminist Deployments of the “Master's Tools”

    Hypatia

    Volume 24, Issue 2, Spring 2009, Pages: 77–100, ROBIN M. JAMES

    Version of Record online : 14 APR 2009, DOI: 10.1111/j.1527-2001.2009.01033.x

  6. Constructing a system for finger-position determination and tablature generation for playing melodies on guitars

    Systems and Computers in Japan

    Volume 35, Issue 6, 15 June 2004, Pages: 10–19, Masanobu Miura, Isao Hirota, Nobuhiko Hama and Masazo Yanagida

    Version of Record online : 7 APR 2004, DOI: 10.1002/scj.10609

  7. Music Signal Processing and Auditory Perception

    Multimedia Signal Processing: Theory and Applications in Speech, Music and Communications

    Saeed V. Vaseghi, Pages: 415–481, 2007

    Published Online : 1 OCT 2007, DOI: 10.1002/9780470066508.ch13

  8. Effect of Musical Accompaniment on Attitude: The Guitar as a Prop for Persuasion

    Journal of Applied Social Psychology

    Volume 2, Issue 4, December 1972, Pages: 350–359, Mark Galizio and Clyde Hendrick

    Version of Record online : 31 JUL 2006, DOI: 10.1111/j.1559-1816.1972.tb01286.x

  9. Michael Jackson's Kingdom: Music, Race, and the Sound of the Mainstream

    Journal of Popular Music Studies

    Volume 23, Issue 1, March 2011, Pages: 19–39, Tamara Roberts

    Version of Record online : 8 MAR 2011, DOI: 10.1111/j.1533-1598.2010.01262.x

  10. Effects of prior access and environmental enrichment on stereotypy

    Behavioral Interventions

    Volume 19, Issue 4, November 2004, Pages: 287–295, John T. Rapp

    Version of Record online : 15 OCT 2004, DOI: 10.1002/bin.166

  11. Translation Acts: Afro-Peruvian Music in the United States

    Journal of Popular Music Studies

    Volume 22, Issue 2, June 2010, Pages: 139–165, Heidi Carolyn Feldman

    Version of Record online : 14 JUN 2010, DOI: 10.1111/j.1533-1598.2010.01233.x

  12. Ian Anderson's acoustic guitar in the early recordings of Jethro Tull

    Journal of Popular Music Studies

    Volume 1, Issue 1, March 1988, Pages: 23–29, Roger L. Anderson

    Version of Record online : 26 AUG 2006, DOI: 10.1111/j.1533-1598.1988.tb00050.x

  13. Guitar-string dermatitis

    Contact Dermatitis

    Volume 26, Issue 2, February 1992, Page: 134, G. Marshman and and C. T. C. Kennedy

    Version of Record online : 11 APR 2006, DOI: 10.1111/j.1600-0536.1992.tb00902.x

  14. From Bebop to Hip Hop: American Music After 1950

    A Concise Companion to Postwar American Literature and Culture

    Josephine G. Hendin, Pages: 95–109, 2008

    Published Online : 21 JAN 2008, DOI: 10.1002/9780470756430.ch4

  15. Arthur C. Danto What Art Is. Yale University Press, 2013, xii + 192 pp., $24.00 cloth, $15.00 paper.

    The Journal of Aesthetics and Art Criticism

    Volume 72, Issue 2, Spring 2014, Pages: 201–203, MICHAEL KELLY

    Version of Record online : 23 APR 2014, DOI: 10.1111/jaac.12064

  16. Black, White, and Blue: Racial Politics in B.B. King's Music from the 1960s

    The Journal of Popular Culture

    Volume 44, Issue 2, April 2011, Pages: 195–216, ULRICH ADELT

    Version of Record online : 28 MAR 2011, DOI: 10.1111/j.1540-5931.2011.00828.x

  17. Nonlinear Processing

    DAFX: Digital Audio Effects

    P. Dutilleux, U. Zölzer, Pages: 93–136, 2004

    Published Online : 30 JUL 2004, DOI: 10.1002/047085863X.ch5

  18. “Take that Night Train to Selma”: An Excursion to the Outskirts of Scholarship

    The Journal of Popular Culture

    Volume II, Issue 1, Summer 1968, Pages: 1–62, Henry Glassie

    Version of Record online : 5 MAR 2004, DOI: 10.1111/j.0022-3840.1968.0201_1.x

  19. Subject-Position and the Specification of Invariants in Music by Frank Zappa and P. J. Harvey

    Music Analysis

    Volume 18, Issue 3, October 1999, Pages: 347–374, Eric F. Clarke

    Version of Record online : 23 JAN 2003, DOI: 10.1111/1468-2249.00099

  20. Lower track science students' argumentation and open inquiry instruction

    Journal of Research in Science Teaching

    Volume 37, Issue 8, October 2000, Pages: 807–838, Randy K. Yerrick

    Version of Record online : 18 OCT 2000, DOI: 10.1002/1098-2736(200010)37:8<807::AID-TEA4>3.0.CO;2-7