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There are 54930 results for: content related to: SKEPTICISM BORDERING ON DISTRUST: FAMILY LAW IN THE HOLLYWOOD CINEMA

  1. Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film

    Journal of Sociolinguistics

    Volume 15, Issue 5, November 2011, Pages: 680–706, Mary Bucholtz and Qiuana Lopez

    Article first published online : 25 NOV 2011, DOI: 10.1111/j.1467-9841.2011.00513.x

  2. An Irresistible Market: A Critical Analysis of Hollywood–Bollywood Coproductions

    Communication, Culture & Critique

    Volume 5, Issue 4, December 2012, Pages: 563–583, Azmat Rasul and Jennifer M. Proffitt

    Article first published online : 9 NOV 2012, DOI: 10.1111/j.1753-9137.2012.01142.x

  3. Culture Industries

    A Companion to Film Theory

    Toby Miller, Robert Stam, Pages: 202–220, 2007

    Published Online : 10 DEC 2007, DOI: 10.1002/9780470998410.ch12

  4. Introduction: Film, Politics, and Society

    Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era

    Douglas Kellner, Pages: 1–50, 2010

    Published Online : 15 JAN 2010, DOI: 10.1002/9781444314809.ch

  5. Review Essays

    Religious Studies Review

    Volume 25, Issue 1, January 1999, Pages: 3–47,

    Article first published online : 9 JAN 2009, DOI: 10.1111/j.1748-0922.1999.tb00347.x

  6. Hollywood's Presence in Latin America

    Standard Article

    The International Encyclopedia of Media Studies

    Tamara L. Falicov

    Published Online : 28 DEC 2012, DOI: 10.1002/9781444361506.wbiems044

  7. Hollywood as Historian, 1929–1945

    Standard Article

    The Wiley-Blackwell History of American Film

    J. E. Smyth

    Published Online : 13 NOV 2011, DOI: 10.1002/9780470671153.wbhaf043

  8. A Victory “Uneasy with Its Contrasts”

    Standard Article

    The Wiley-Blackwell History of American Film

    Saverio Giovacchini

    Published Online : 13 NOV 2011, DOI: 10.1002/9780470671153.wbhaf041

  9. The New Hollywood

    Standard Article

    The Wiley-Blackwell History of American Film

    Derek Nystrom

    Published Online : 13 NOV 2011, DOI: 10.1002/9780470671153.wbhaf062

  10. Cossack Cowboys, Mad Russians: The Émigré Actor in Studio-Era Hollywood

    The Russian Review

    Volume 64, Issue 2, April 2005, Pages: 236–258, BETH HOLMGREN

    Article first published online : 17 FEB 2005, DOI: 10.1111/j.1467-9434.2005.00359.x

  11. Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and outside the United States Since the 1970s

    Explorations in New Cinema History: Approaches and Case Studies

    Richard Maltby, Daniel Biltereyst, Philippe Meers, Pages: 171–184, 2011

    Published Online : 20 APR 2011, DOI: 10.1002/9781444396416.ch9

  12. Tropical Hong Kong: Narratives of absence and presence in Hollywood and Hong Kong films of the 1950s and 1960s

    Singapore Journal of Tropical Geography

    Volume 29, Issue 1, March 2008, Pages: 8–23, Wendy Gan

    Article first published online : 13 MAR 2008, DOI: 10.1111/j.1467-9493.2008.00316.x

  13. Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a ‘fabric of quotations’

    Critical Quarterly

    Volume 53, Issue S1, July 2011, Pages: 225–237, LAURA MULVEY

    Article first published online : 29 OCT 2012, DOI: 10.1111/j.1467-8705.2011.00031.x

  14. Falling in love again and again: Marlene Dietrich and the iconization of non-native English

    Journal of Sociolinguistics

    Volume 15, Issue 5, November 2011, Pages: 627–656, Allan Bell

    Article first published online : 25 NOV 2011, DOI: 10.1111/j.1467-9841.2011.00516.x

  15. The White Emigration Goes Hollywood

    The Russian Review

    Volume 64, Issue 2, April 2005, Pages: 187–210, OLGA MATICH

    Article first published online : 17 FEB 2005, DOI: 10.1111/j.1467-9434.2005.00357.x

  16. Politics

    Hollywood Speaks Out: Pictures that Dared to Protest Real World Issues

    Robert L. Hilliard, Pages: 152–182, 2009

    Published Online : 2 APR 2009, DOI: 10.1002/9781444308501.ch8

  17. ‘Have You Seen Any Good Films Lately?’ Geopolitics, International Relations and Film

    Geography Compass

    Volume 2, Issue 2, March 2008, Pages: 476–494, Klaus Dodds

    Article first published online : 7 FEB 2008, DOI: 10.1111/j.1749-8198.2008.00092.x

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    Race, Gender, Hollywood: Representation in Cultural Production and Digital Media's Potential for Change

    Sociology Compass

    Volume 9, Issue 1, January 2015, Pages: 78–89, Maryann Erigha

    Article first published online : 9 JAN 2015, DOI: 10.1111/soc4.12237

  19. Return to Oz: The Hollywood Redevelopment Project, or Film History as Urban Renewal

    Cinema and the City: Film and Urban Societies in a Global Context

    Mark Shiel, Tony Fitzmaurice, Pages: 59–72, 2008

    Published Online : 27 MAY 2008, DOI: 10.1002/9780470712948.ch5

  20. Territorial Appeals in Post-Wall German Filmmaking: The Case of Good Bye, Lenin!

    Antipode

    Volume 45, Issue 3, June 2013, Pages: 760–778, Kimberly Coulter

    Article first published online : 10 SEP 2012, DOI: 10.1111/j.1467-8330.2012.01041.x