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There are 17385 results for: content related to: The Brain of Musicians

  1. Auditory stroop and absolute pitch: An fMRI study

    Human Brain Mapping

    Volume 34, Issue 7, July 2013, Pages: 1579–1590, Katrin Schulze, Karsten Mueller and Stefan Koelsch

    Version of Record online : 22 FEB 2012, DOI: 10.1002/hbm.22010

  2. A tale of two scenes: civic capital and retaining musical talent in Toronto and Halifax

    The Canadian Geographer / Le Géographe canadien

    Volume 55, Issue 3, Fall / automne 2011, Pages: 365–382, BRIAN J. HRACS, JILL L. GRANT, JEFFRY HAGGETT and JESSE MORTON

    Version of Record online : 27 JUN 2011, DOI: 10.1111/j.1541-0064.2011.00364.x

  3. Language and Music in the Musician Brain

    Language and Linguistics Compass

    Volume 5, Issue 9, September 2011, Pages: 617–634, Mireille Besson, Julie Chobert and Céline Marie

    Version of Record online : 15 SEP 2011, DOI: 10.1111/j.1749-818X.2011.00302.x

  4. Musical Training, Bilingualism, and Executive Function: A Closer Look at Task Switching and Dual-Task Performance

    Cognitive Science

    Volume 39, Issue 5, July 2015, Pages: 992–1020, Linda Moradzadeh, Galit Blumenthal and Melody Wiseheart

    Version of Record online : 7 OCT 2014, DOI: 10.1111/cogs.12183

  5. Annotations on musical scores by performing musicians: Collaborative models, interactive methods, and music digital library tool development

    Journal of the American Society for Information Science and Technology

    Volume 59, Issue 12, October 2008, Pages: 1878–1897, Megan A. Winget

    Version of Record online : 8 JUL 2008, DOI: 10.1002/asi.20876

  6. Coordinated plasticity in brainstem and auditory cortex contributes to enhanced categorical speech perception in musicians

    European Journal of Neuroscience

    Volume 40, Issue 4, August 2014, Pages: 2662–2673, Gavin M. Bidelman, Michael W. Weiss, Sylvain Moreno and Claude Alain

    Version of Record online : 2 JUN 2014, DOI: 10.1111/ejn.12627

  7. With a little help from my friends: Self-interested and prosocial behavior on MySpace Music

    Journal of the American Society for Information Science and Technology

    Volume 61, Issue 5, May 2010, Pages: 952–963, Judd Antin and Matthew Earp

    Version of Record online : 29 JAN 2010, DOI: 10.1002/asi.21294

  8. Neuroarchitecture of verbal and tonal working memory in nonmusicians and musicians

    Human Brain Mapping

    Volume 32, Issue 5, May 2011, Pages: 771–783, Katrin Schulze, Stefan Zysset, Karsten Mueller, Angela D. Friederici and Stefan Koelsch

    Version of Record online : 9 JUN 2010, DOI: 10.1002/hbm.21060

  9. Alternative Music and the Emergence of a Singaporean Sound

    Journal of Popular Music Studies

    Volume 26, Issue 2-3, June-September 2014, Pages: 346–367, Bernice Loh

    Version of Record online : 25 JUL 2014, DOI: 10.1111/jpms.12080

    Corrected by:

    ERRATUM: Erratum

    Vol. 26, Issue 4, 559, Version of Record online: 27 DEC 2014

  10. “The collective circle”: Latino immigrant musicians and politics in Charlotte, North Carolina

    American Ethnologist

    Volume 41, Issue 2, May 2014, Pages: 246–260, SAMUEL BYRD

    Version of Record online : 25 APR 2014, DOI: 10.1111/amet.12073

  11. Join the Ranks! Québec's Musical Union and “Emergent Musics”: A New Field of Cultural Activity?

    Journal of Popular Music Studies

    Volume 19, Issue 3, September 2007, Pages: 274–292, Martin Lussier

    Version of Record online : 30 AUG 2007, DOI: 10.1111/j.1533-1598.2007.00130.x

  12. Two Assemblages of Cultural Transmission: Musicians, Political Actors and Educational Techniques in the Ottoman Empire and Western Europe

    Journal of Historical Sociology

    Volume 23, Issue 3, September 2010, Pages: 343–371, NEDIM KARAKAYALI

    Version of Record online : 5 SEP 2010, DOI: 10.1111/j.1467-6443.2010.01377.x

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    Cross-sectional study on the relationship between music training and working memory in adults

    Australian Journal of Psychology

    Volume 68, Issue 1, March 2016, Pages: 38–46, Lidia Suárez, Shalini Elangovan and Agnes Au

    Version of Record online : 1 APR 2015, DOI: 10.1111/ajpy.12087

  14. Musicians show general enhancement of complex sound encoding and better inhibition of irrelevant auditory change in music: an ERP study

    European Journal of Neuroscience

    Volume 37, Issue 8, April 2013, Pages: 1295–1307, Natalya Kaganovich, Jihyun Kim, Caryn Herring, Jennifer Schumaker, Megan MacPherson and Christine Weber-Fox

    Version of Record online : 10 JAN 2013, DOI: 10.1111/ejn.12110

  15. Enhanced brainstem encoding predicts musicians’ perceptual advantages with pitch

    European Journal of Neuroscience

    Volume 33, Issue 3, February 2011, Pages: 530–538, Gavin M. Bidelman, Ananthanarayan Krishnan and Jackson T. Gandour

    Version of Record online : 29 DEC 2010, DOI: 10.1111/j.1460-9568.2010.07527.x

  16. Effects of musical training on the early auditory cortical representation of pitch transitions as indexed by change-N1

    European Journal of Neuroscience

    Volume 36, Issue 11, December 2012, Pages: 3580–3592, Kosuke Itoh, Yoko Okumiya-Kanke, Yoh Nakayama, Ingrid L. Kwee and Tsutomu Nakada

    Version of Record online : 7 SEP 2012, DOI: 10.1111/j.1460-9568.2012.08278.x

  17. Hearing of note: An electrophysiologic and psychoacoustic comparison of pitch discrimination between vocal and instrumental musicians

    Psychophysiology

    Volume 45, Issue 6, November 2008, Pages: 994–1007, Dee A. Nikjeh, Jennifer J. Lister and Stefan A. Frisch

    Version of Record online : 5 SEP 2008, DOI: 10.1111/j.1469-8986.2008.00689.x

  18. Kind of Black: The Musicians' Labour Market in Italy

    LABOUR

    Volume 26, Issue 4, December 2012, Pages: 472–491, Alessandro Balestrino

    Version of Record online : 27 JUL 2012, DOI: 10.1111/j.1467-9914.2012.00554.x

  19. Aesthetic labour in creative industries: the case of independent musicians in Toronto, Canada

    Area

    Volume 46, Issue 1, March 2014, Pages: 66–73, Brian J Hracs and Deborah Leslie

    Version of Record online : 20 DEC 2013, DOI: 10.1111/area.12062

  20. The limits of commodification in traditional Irish music sessions

    Journal of the Royal Anthropological Institute

    Volume 13, Issue 3, September 2007, Pages: 703–719, Adam R. Kaul

    Version of Record online : 16 AUG 2007, DOI: 10.1111/j.1467-9655.2007.00451.x