9. Our Rapists, Ourselves
Women and the Staging of Rape in the Cinema of Pedro Almodóvar
- Marvin D'Lugo,
- Kathleen M. Vernon
Published Online: 21 FEB 2013
DOI: 10.1002/9781118325360.ch9
Copyright © 2013 Blackwell Publishing Ltd.
Book Title

A Companion to Pedro Almodóvar
Additional Information
How to Cite
Lev, L. Our Rapists, Ourselves, in A Companion to Pedro Almodóvar (eds M. D'Lugo and K. M. Vernon), Blackwell Publishing Ltd, Oxford. doi: 10.1002/9781118325360.ch9
Publication History
- Published Online: 21 FEB 2013
ISBN Information
Print ISBN: 9781405195829
Online ISBN: 9781118325360
- Summary
- Chapter
- References
Keywords:
- ¡Átame!/Tie Me Up! Tie Me Down!;
- cinema;
- Hable con ella;
- Kika;
- Pedro Almodóvar;
- rape scenes;
- women
Summary
This chapter suggests that Pedro Almodóvar's cinematic reflections on rape offer a more nuanced, troubling, and necessary analysis that complicates - even when it's also clearly grappling with - understandings of rape both within Spain and beyond in ways that resist reductive categorizations. Although nearly all of Almodóvar's films deal with rape, including rape between men and child abuse, this chapter focuses primarily upon three emblematic films: ¡Átame!/Tie Me Up! Tie Me Down! and Kika, in which the act of rape is placed in a contemporaneous specularized media landscape; followed by Hable con ella/Talk to Her, whose critical elaboration of rape invokes an earlier intertextual web composed of a “monstrous feminine” of western cultural fairytales, myths, tropes, and cinematic representations. Almodóvar offers an alternative dénouement to the specularizations of implied or actual sexual violence against women.
