Chapter 12. Jazz Improvisation and Ethical Interaction: A Sketch of the Connections

  1. Garry L. Hagberg Chair
  1. Garry L. Hagberg Chair

Published Online: 23 FEB 2009

DOI: 10.1002/9781444302813.ch12

Art and Ethical Criticism

Art and Ethical Criticism

How to Cite

Hagberg, G. L. (2008) Jazz Improvisation and Ethical Interaction: A Sketch of the Connections, in Art and Ethical Criticism (ed G. L. Hagberg), Blackwell Publishing Ltd., Oxford, UK. doi: 10.1002/9781444302813.ch12

Editor Information

  1. University of East Anglia, Norwich, UK

Author Information

  1. University of East Anglia, Norwich, UK

Publication History

  1. Published Online: 23 FEB 2009
  2. Published Print: 20 JUN 2008

Book Series:

  1. New Directions in Aesthetics

Book Series Editors:

  1. Dominic McIver Lopes2 and
  2. Berys Gaut3

Series Editor Information

  1. 2

    University of British Columbia, Canada

  2. 3

    University of St Andrews, UK

ISBN Information

Print ISBN: 9781405134835

Online ISBN: 9781444302813

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Keywords:

  • jazz improvisation and ethical interaction;
  • Jazz improvisation - an art where the process is the product;
  • acknowledging autonomy of others;
  • respecting complexity;
  • schooled in harmonic analysis and ear training;
  • respecting individuality;
  • Iris Murdoch “Re-thinking one's past is a constant responsibility”;
  • Kantian mutual respect;
  • excessive attentiveness;
  • diversity of intentional action

Summary

This chapter contains sections titled:

  • Attentiveness

  • Awareness of the Circumstances of Action

  • Acknowledging the Autonomy of Others

  • Respecting Complexity

  • Memory

  • Respecting Individuality

  • Rethinking the Past

  • The Habit of Resourcefulness

  • Kantian Mutual Respect

  • Genuineness and Insight

  • Sensitivity to the Context of Discourse

  • Excessive Attentiveness

  • The Diversity of Intentional Action