3. The Classical Paradigm II: Appreciating Performable Works in Performance
Published Online: 14 APR 2011
DOI: 10.1002/9781444343458.ch3
Copyright © 2011 David Davies
Book Title
Philosophy of the Performing Arts
Additional Information
How to Cite
Davies, D. (2011) The Classical Paradigm II: Appreciating Performable Works in Performance, in Philosophy of the Performing Arts, Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444343458.ch3
Publication History
- Published Online: 14 APR 2011
- Published Print: 8 APR 2011
Book Series:
Book Series Editors:
- Philip Alperson
Series Editor Information
Temple University, USA
ISBN Information
Print ISBN: 9781405188029
Online ISBN: 9781444343458
- Summary
- Chapter
Keywords:
- Introduction - Talking Appreciatively about Performable Works;
- The Goodman Argument;
- Answering the Goodman Argument;
- “sonataform structure”;
- “varied sonorities”;
- “contains a G sharp in the seventh measure”;
- “contextualized type”;
- “Goodman argument”
Summary
This chapter contains sections titled:
Introduction: Talking Appreciatively about Performable Works
Can Performable Works Share Artistic Properties with Their Performances?
The Goodman Argument
Answering the Goodman Argument