3. The Classical Paradigm II: Appreciating Performable Works in Performance

  1. David Davies

Published Online: 14 APR 2011

DOI: 10.1002/9781444343458.ch3

Philosophy of the Performing Arts

Philosophy of the Performing Arts

How to Cite

Davies, D. (2011) The Classical Paradigm II: Appreciating Performable Works in Performance, in Philosophy of the Performing Arts, Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444343458.ch3

Publication History

  1. Published Online: 14 APR 2011
  2. Published Print: 8 APR 2011

Book Series:

  1. Foundations of the Philosophy of the Arts

Book Series Editors:

  1. Philip Alperson

Series Editor Information

  1. Temple University, USA

ISBN Information

Print ISBN: 9781405188029

Online ISBN: 9781444343458

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Keywords:

  • Introduction - Talking Appreciatively about Performable Works;
  • The Goodman Argument;
  • Answering the Goodman Argument;
  • “sonataform structure”;
  • “varied sonorities”;
  • “contains a G sharp in the seventh measure”;
  • “contextualized type”;
  • “Goodman argument”

Summary

This chapter contains sections titled:

  • Introduction: Talking Appreciatively about Performable Works

  • Can Performable Works Share Artistic Properties with Their Performances?

  • The Goodman Argument

  • Answering the Goodman Argument