4. Authenticity in Musical Performance

  1. David Davies

Published Online: 14 APR 2011

DOI: 10.1002/9781444343458.ch4

Philosophy of the Performing Arts

Philosophy of the Performing Arts

How to Cite

Davies, D. (2011) Authenticity in Musical Performance, in Philosophy of the Performing Arts, Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444343458.ch4

Publication History

  1. Published Online: 14 APR 2011
  2. Published Print: 8 APR 2011

Book Series:

  1. Foundations of the Philosophy of the Arts

Book Series Editors:

  1. Philip Alperson

Series Editor Information

  1. Temple University, USA

ISBN Information

Print ISBN: 9781405188029

Online ISBN: 9781444343458

SEARCH

Keywords:

  • Authenticity in the Arts;
  • Three Notions of Historically Authentic Performance;
  • “historical authenticity”;
  • “historical performance”;
  • “temperament, timbre, attack, pitch, and vibrato”;
  • “sonic authenticity” and “sensible authenticity”;
  • “the paradox of historical musicology”;
  • “historical listening”;
  • “aesthetic payoff”

Summary

This chapter contains sections titled:

  • Introduction

  • Authenticity in the Arts

  • Three Notions of Historically Authentic Performance