4. Authenticity in Musical Performance
Published Online: 14 APR 2011
DOI: 10.1002/9781444343458.ch4
Copyright © 2011 David Davies
Book Title

Philosophy of the Performing Arts
Additional Information
How to Cite
Davies, D. (2011) Authenticity in Musical Performance, in Philosophy of the Performing Arts, Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444343458.ch4
Publication History
- Published Online: 14 APR 2011
- Published Print: 8 APR 2011
Book Series:
Book Series Editors:
- Philip Alperson
Series Editor Information
Temple University, USA
ISBN Information
Print ISBN: 9781405188029
Online ISBN: 9781444343458
- Summary
- Chapter
Keywords:
- Authenticity in the Arts;
- Three Notions of Historically Authentic Performance;
- “historical authenticity”;
- “historical performance”;
- “temperament, timbre, attack, pitch, and vibrato”;
- “sonic authenticity” and “sensible authenticity”;
- “the paradox of historical musicology”;
- “historical listening”;
- “aesthetic payoff”
Summary
This chapter contains sections titled:
Introduction
Authenticity in the Arts
Three Notions of Historically Authentic Performance
