2. Reimagining the History of the Experience of Cinema in a Post-Moviegoing Age
- Richard Maltby2,
- Daniel Biltereyst3,
- Philippe Meers4
Published Online: 20 APR 2011
DOI: 10.1002/9781444396416.ch2
Copyright © 2011 Blackwell Publishing Ltd.
Book Title

Explorations in New Cinema History: Approaches and Case Studies
Additional Information
How to Cite
Allen, R. C. (2011) Reimagining the History of the Experience of Cinema in a Post-Moviegoing Age, in Explorations in New Cinema History: Approaches and Case Studies (eds R. Maltby, D. Biltereyst and P. Meers), Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444396416.ch2
Editor Information
- 2
Flinders University, South Australia
- 3
Department of Communication Studies, Ghent University, Belgium
- 4
University of Antwerp, Belgium
Publication History
- Published Online: 20 APR 2011
- Published Print: 8 APR 2011
ISBN Information
Print ISBN: 9781405199490
Online ISBN: 9781444396416
- Summary
- Chapter
- References
Keywords:
- reimagining history of experience of cinema - in a post-moviegoing age;
- ‘freakonomics’ trend of searching - correlations among huge data sets, causal arguments;
- re-viewing cinema history - in post-moviegoing epoch;
- experience of cinema, other side of epochal divide - moviegoing and post-moviegoing epochs;
- sociality of experience of cinema, implications - film history, inadequately reflected in film studies;
- Hollywood's profitability, people engaging with products - US movie theatres, revenue and profits;
- experience of cinema in moviegoing epoch - ‘Going to the Show’;
- Geographic Information System (GIS) technology - layering information, successive map iterations;
- eventfulness of experience of cinema - convergences of multiple individual trajectories on social sites;
- heterogeneity and open-endedness of cinema - open-ended and open-source historiography
Summary
This chapter contains sections titled:
Re-Viewing Cinema History in the Post-Moviegoing Epoch
Representing the Experience of Cinema in the Moviegoing Epoch: ‘Going to the Show’
The Eventfulness of the Experience of Cinema
References
