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Keywords:

  • Christian Moeller;
  • Do Not Touch;
  • Electro Clips;
  • Virtual Cage;
  • Camera Music/Kintetic Shadows;
  • Kinetic Light Sculpture;
  • Bitwalls;
  • Cheese

Abstract

Once a practising architect, engaged in the offices of Gunter Behnisch, Christian Moeller was attracted away from the conventional route of the profession by the stimulation and opportunities of the 1980s art scene. In this profile by Lucy Bullivant, the now professor of media arts/design at UCLA describes his aptitude for the accessible, and why he prefers ‘temporary fireworks’ and experiment in his interactive practice over permanent installations. Copyright © 2005 John Wiley & Sons, Ltd.