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Keywords:

  • sustainability;
  • Morpho-ecologies;
  • OCEAN's German Pavilion;
  • Prague Quadrennial International Exhibition of Scenography and Theatre Architecture, 2007;
  • BMW Welt Building;
  • Coop Himmelb(l)au architects;
  • Bollinger + Grohmann structural engineers;
  • morphogenesis;
  • ‘building correctly’;
  • Freeform Construction research project at Loughborough University;
  • Macrotermes michaelseni termite mound;
  • thermodynamics of mammalian, marine and plant metabolisms;
  • vectors of energy;
  • computer controlled manufacturing processes;
  • Rapid Manufacturing Group;
  • Rafael Guastavino and Eladio Dieste;
  • Klaus-Michael Koch;
  • Department of From Generation and Materialisation at the Hochschule für Gestaltung (HfG) in Offenbach, Germany;
  • differentiation in fibre composites;
  • ‘engineering ecologies’;
  • New Czech National Library

Abstract

The dictionary explanation of ‘performance’ is to ‘carry out an action’ or ‘to fulfil a task’. Invariably, this definition seems to invoke a tired utilitarian debate on the correlation between form and function. Here, Michael Hensel and Achim Menges explain how in this issue of AD they aim to move the debate on entirely. In so doing, they redefine form not as the shape of a material object alone, but as the multitude of effects, the milieu of conditions, modulations and microclimates that emanate from the exchange of an object with its specific environment – a dynamic relationship that is both perceived and interacted with by a subject. Performance evolves from the synthesis of this dynamic, while morpho-ecological design concerns an instrumental approach, making form and function less of a dualism and more of a synergy that aspires to integral design solutions and an alternative model for sustainability. Copyright © 2008 John Wiley & Sons, Ltd.