Julie Jaffee Nagel is a faculty member at the Michigan Psychoanalytic Institute and at the University of Michigan, Department of Psychiatry, and is a graduate of the Juilliard School in New York.
PSYCHOANALYTIC PERSPECTIVES ON MUSIC: AN INTERSECTION ON THE ORAL AND AURAL ROAD
Article first published online: 20 DEC 2012
2008 The Psychoanalytic Quarterly, Inc.
The Psychoanalytic Quarterly
Volume LXXVII, Issue 2, pages 507–530, April 2008
How to Cite
NAGEL, J. J. (2008), PSYCHOANALYTIC PERSPECTIVES ON MUSIC: AN INTERSECTION ON THE ORAL AND AURAL ROAD. Psychoanalytic Quarterly, LXXVII: 507–530. doi: 10.1002/j.2167-4086.2008.tb00349.x
- Issue published online: 20 DEC 2012
- Article first published online: 20 DEC 2012
This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic principles. I suggest that, if the verbal analysis of dreams paves a royal road to the unconscious, the formal properties of music provide an aural road to the same destination. Two clinical vignettes and scenes from Verdi's opera Otello are used to illustrate these interrelated ideas.