This article is part of the special issue of the Journal of Raman Spectroscopy entitled “Raman in Art and Archaeology 2013” edited by Polonca Ropret and Juan Manuel Madariaga.
A systematic analysis of red lake pigments in French Impressionist and Post-Impressionist paintings by surface-enhanced Raman spectroscopy (SERS)†
Version of Record online: 2 MAY 2014
Copyright © 2014 John Wiley & Sons, Ltd.
Journal of Raman Spectroscopy
Special Issue: Raman in Art and Archaeology 2013
Volume 45, Issue 11-12, pages 1119–1126, November-December 2014
How to Cite
2014) A systematic analysis of red lake pigments in French Impressionist and Post-Impressionist paintings by surface-enhanced Raman spectroscopy (SERS), J. Raman Spectrosc., 45, pages 1119–1126, doi: 10.1002/jrs.4483., , and (
- Issue online: 26 DEC 2014
- Version of Record online: 2 MAY 2014
- Manuscript Accepted: 26 MAR 2014
- Manuscript Revised: 10 MAR 2014
- Manuscript Received: 7 NOV 2013
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