SEARCH

SEARCH BY CITATION

REFERENCES

  • Amabile, T.M. (1983). The social psychology of creativity. New York: Springer-Verlag.
  • Baer, J., Kaufman, J.C., & Gentile, C.A. (2004). Extension of the consensual assessment technique to nonparallel creative products. Creativity Research Journal, 16, 113117.
  • Beghetto, R.A., & Kaufman, J.C. (2007). Toward a broader conception of creativity: A case for “mini-c”creativity. Psychology of Aesthetics, Creativity, and the Arts, 1, 7379.
  • Boor, M. (1990). Reliability of ratings of movies by professional movie critics. Psychological Reports, 67, 243257.
  • Boor, M. (1992). Relationships among ratings of motion pictures by viewers and six professional movie critics. Psychological Reports, 70, 10111021.
  • Csikszentmihalyi, M. (1988). Society, culture, and person: A systems view of creativity. In R. J.Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives (pp. 325339). New York: Cambridge University Press.
  • Csikszentmihalyi, M. (1999). Implications of a systems perspective for the study of creativity. In R. J.Sternberg (Ed.), Handbook of creativity (pp. 313335). New York: Cambridge.
  • Delmestri, G., Montanari, F., & Usai, A. (2005). Reputation and strength of ties in predicting commercial success and artistic merit of independents in the Italian feature film industry. Journal of Management Studies, 42, 9751002.
  • Gladwell, M. (2000). The tipping point: How little things can make a big difference. Boston: Little, Brown.
  • Hennessey, B.A., & Amabile, T.M. (1988). The conditions of creativity. In R. J.Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives (pp. 1138). New York: Cambridge University Press.
  • Holbrook, M.B. (1999). Popular appeal versus expert judgments of motion pictures. Journal of Consumer Research, 26, 144155.
  • Kaufman, J. C., Baer, J., Cole, J. C., & Sexton, J. D. (2008). A comparison of expert and nonexpert raters using the consensual assessment technique. Creativity Research Journal, 20, 171178.
  • Kaufman, J.C., Baer, J., & Gentile, C.A., (2004). Differences in gender and ethnicity as measured by ratings of three writing tasks. Journal of Creative Behavior, 39, 5669.
  • Kaufman, J.C., Gentile, C.A., & Baer, J. (2005). Do gifted student writers and creative writing experts rate creativity the same way? Gifted Child Quarterly, 49, 260265.
  • Kaufman, J.C., Plucker, J.A., & Baer, J. (2008). Essentials of creativity assessment. New York: Wiley.
  • MacKinnon, D.W. (1978). In search of human effectiveness: Identifying and developing creativity. Buffalo, NY: The Creative Education Foundation.
  • Plucker, J.A., & Renzulli, J.S. (1999). Psychometric approaches to the study of human creativity. In R. J.Sternberg (Ed.), Handbook of creativity (pp. 3561). New York: Cambridge.
  • Plucker, J.A., Holden, J., & Neustadter, D. (2008). The criterion problem and creativity in film: Psychometric characteristics of various measures. Psychology of Aesthetics, Creativity, and the Arts, 2, 190196.
  • Runco, M.A., McCarthy, K.A., & Svenson, E. (1994). Judgments of the creativity of artwork from students and professional artists. Journal of Psychology, 128, 2331.
  • Simonton, D.K. (2002). Collaborative aesthetics in the feature film: Cinematic components predicting the differential impact of 2, 323 Oscar-nominated movies. Empirical Studies of the Arts, 20, 115125.
  • Simonton, D.K. (2004a). Group artistic creativity: Creative clusters and cinematic success in feature films. Journal of Applied Social Psychology, 34, 14941520.
  • Simonton, D.K. (2004b). The “Best Actress”paradox: Outstanding feature films versus exceptional women's performances. Sex Roles, 50, 781794.
  • Simonton, D.K. (2004c). Film awards as indicators of cinematic creativity and achievement: A quantitative comparison of the Oscars and six alternatives. Creativity Research Journal, 16, 163172.
  • Simonton, D.K. (2005a). Cinematic creativity and production budgets: Does money make the movie? Journal of Creative Behavior, 39, 115.
  • Simonton, D. K. (2005b). Film as art versus film as business: Differential correlates of screenplay characteristics. Empirical Studies of the Arts, 23, 93117.
  • Simonton, D.K. (2006). Cinematic creativity and aesthetics: Empirical analyses of movie awards. In P.Locher, C.Martindale, & L.Dorfman (Eds.), New directions in aesthetics, creativity and the arts: Foundations and frontiers in aesthetics (pp. 123136). Amityville, NY: Baywood.
  • Simonton, D.K. (2007a). Cinema composers: Career trajectories for creative productivity in film music. Psychology of Aesthetics, Creativity, and the Arts, 1, 160169.
  • Simonton, D.K. (2007b). Film music: Are award-winning scores and songs heard in successful motion pictures? Psychology of Aesthetics, Creativity, and the Arts, 1, 5360.
  • Simonton, D.K. (2007c). Is bad art the opposite of good art? Positive versus negative cinematic assessments of 877 feature films. Empirical Studies of the Arts, 25, 143161.
  • Zickar, M. J., & Slaughter, J.E. (1999). Examining creative performance over time using hierarchical linear modeling: An illustration using film directors. Human Performance, 12, 211230.