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References

  • Carlson, M. (2004). Performance: A Critical Introduction, 2nd ed. New York and London: Routledge.
  • Dixon, S. (2007). Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, Mass., and London: The MIT Press.
  • Kuppers, P. (2007). Community Performance: An Introduction. London and New York: Routledge.
  • Marini, F. (2005). Sources and Methodology of Theater Research in the View of Scholars and Information Professionals. Ph.D. diss. University of California, Los Angeles.
  • Marini, F. (2007). Archivists, Librarians, and Theatre Research. Archivaria 63 (Spring), 733.
  • Marini, F. (In Press; 2010). Visual and Performing Arts Archives. In M. J.Bates and M.Niles Maack (Eds.) Encyclopedia of Library and Information Sciences. New York: Taylor and Francis.
  • Merewether, C. (2006). Ed. The Archive. London and Cambridge, Mass.: MIT Press.
  • Phelan, P. (1993). Unmarked: The Politics of Performance. London and New York: Routledge.
  • Prentki, T.; & Preston, S. (2009). Eds. The Applied Theatre Reader. London and New York: Routledge.
  • Schlesinger, K.; Bloom, P.; & Ferguson, A. (2004). Eds. Performance Documentation and Preservation in an Online Environment. New York: Theatre Library Association.
  • Stone, R. (2000). The Show Goes On! Preserving Performing Arts Ephemera, Or The Power of The Program. Arts Library Journal, 25(2), 3135.
  • Taylor, D. (2003; reprint, 2005). The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC, and London: Duke University Press.
  • Thompson Klein, J. (1996). Crossing Boundaries: Knowledge, Disciplinarities, and Interdisciplinarities. Charlottesville, VA, and London: University Press of Virginia.