Editor's Note: The three texts by Heinrich Wölfflin published here have been translated to accompany Geraldine A. Johnson's article, “(Un)richtige Aufnahme’: Renaissance Sculpture and the Visual Historiography of Art History’, which appears in the present issue of Art History. They are the first in an occasional series pairing works of art-historical interest never before translated into English with original pieces of research that engage with the texts in question.
How One Should Photograph Sculpture
Version of Record online: 19 JUL 2012
© Association of Art Historians 2012
Volume 36, Issue 1, pages 52–71, February 2013
How to Cite
Wölfflin, H. and Johnson, G. A. (2013), How One Should Photograph Sculpture. Art History, 36: 52–71. doi: 10.1111/j.1467-8365.2012.00926.x
- Issue online: 17 JAN 2013
- Version of Record online: 19 JUL 2012
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