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An Actor-Network Theory of Cosmopolitanism

Authors


  • Address correspondence to: Hiro Saito, Department of Sociology, University of Hawai’i at Mānoa, Saunders Hall 247, 2424 Maile Way, Honolulu, HI 96822. Tel.: 808-956-7693. E-mail: hs9@hawaii.edu. For their helpful comments on earlier versions of the article, I thank the reviewers at Sociological Theory as well as participants in the Power, History, and Social Change Workshop at the University of Michigan.

Abstract

A major problem with the emerging sociological literature on cosmopolitanism is that it has not adequately theorized mechanisms that mediate the presumed causal relationship between globalization and the development of cosmopolitan orientations. To solve this problem, I draw on Bruno Latour's actor-network theory (ANT) to theorize the development of three key elements of cosmopolitanism: cultural omnivorousness, ethnic tolerance, and cosmopolitics. ANT illuminates how humans and nonhumans of multiple nationalities develop attachments with one another to create network structures that sustain cosmopolitanism. ANT also helps the sociology of cosmopolitanism become more reflexive and critical of its implicit normative claims.

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