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This essay defends an analysis of malapropisms consistent with the Simple Picture of communication, namely the view that speakers communicate that P by employing expressions associated with P by the regularities appropriate for the linguistic community to which they belong. My analysis, grounded on the distinction between traces, shapes, and forms, is consistent with an intuitive assessment of the contents conveyed by instances of malapropisms, and with a standard, ‘fully articulated’ approach to semantic interpretation.