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Abstract

Barth's writings present two discrete approaches to culture and attempts to link the two overlook Barth's rationale for isolating them. Though interpreters of Barth's theology of culture typically turn to CD IV/3, I argue that this material is not the place to look for insights into his analyses of cultural forms (e.g. the Mozart essays), but is better understood simply as a necessary extension of his doctrine of the Word – identical in content and context to his remarks against theology of culture in CD I/1. Instead, Barth's eschatology provides us with greater insights into his theological approach to culture.