See Pyrocles' first song, “Transformed in show, but more transformed in mind” (OA 28, NA 69). All references are to The Countess of Pembroke's Arcadia (The Old Arcadia), ed. Jean Robertson (Oxford, 1973), and Sir Philip Sidney: The Countess of Pembroke's Arcadia (The New Arcadia), ed. Victor Skretkowicz (Oxford, 1987). I am indebted to the British Academy for the support of a Postdoctoral Fellowship held in the English Faculty of the University of Oxford, 1993–1996; to the Principal and Fellows of Linacre College and the President and Fellows of Trinity College, Oxford, for affording me the privileges of commensality during the same period; and to Mr. P. G. Mc. Brown, Dr. T. F. Earle, Dr. H. O'Donoghue, and Prof. Ann Moss respectively for the references to William of Blois, Sá de Miranda, Saxo Grammaticus, and Jacob Moltzer.
“Transformed in Show”: The Rhetoric of Transvestism in Sidney's Arcadia1
Version of Record online: 13 NOV 2008
© 1998 English Literary Renaissance, Inc.
English Literary Renaissance
Volume 28, Issue 3, pages 323–352, September 1998
How to Cite
CARVER, R. H. F. (1998), “Transformed in Show”: The Rhetoric of Transvestism in Sidney's Arcadia. English Literary Renaissance, 28: 323–352. doi: 10.1111/j.1475-6757.1998.tb00755.x
- Issue online: 13 NOV 2008
- Version of Record online: 13 NOV 2008
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