I would like to thank Cinzia Maria Sicca of the University of Pisa for giving me the initial invitation to lecture on the topic, which subsequently became the premise of this article. I would also like to thank in particular Jill Burke of the University of Edinburgh for her help when discussing this subject.
Beyond Rome: Sebastiano Del Piombo as a painter of diplomatic gifts
Article first published online: 8 SEP 2011
© 2011 The Author. Renaissance Studies © 2011 The Society for Renaissance Studies, Blackwell Publishing Ltd
Volume 27, Issue 1, pages 51–72, February 2013
How to Cite
BAKER-BATES, P. (2013), Beyond Rome: Sebastiano Del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27: 51–72. doi: 10.1111/j.1477-4658.2011.00770.x
- Issue published online: 16 JAN 2013
- Article first published online: 8 SEP 2011
- diplomatic gift;
- Sebastiano Del Piombo
The question of diplomatic gifts has become increasingly center stage in studies of Renaissance art. Their importance has not, however, been considered before in relation to the career of Sebastiano del Piombo at Rome. From the very beginning of his time in the city, however, Sebastiano began to paint works of art that were intended as diplomatic gifts. The two major works examined in this light will be the Visitation commissioned, most likely, by the Venetian government for Queen Claude of France and the Pietà commissioned by Ferrante Gonzaga for Francesco de Los Cobos. The argument will show both how central such commissions became to Sebastiano's career and how they may have affected the development of that career.