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Works Cited

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  • Bergson, Henri. Time and Free Will; An Essay on the Immediate Data of Consciousness. Translated by F. L. Pogson. New York : Dover Publications, 2001.
  • Bürger, Peter. Theory of The Avant-Garde. Translated by Michael Shaw as “Theory and History of Literature,” Volume 4. Manchester : Manchester UP, 1984.
  • Danto, Arthur. “The Artworld. The Journal of Philosophy. American Philosophical Association Eastern Division Sixty-First Annual Meeting. 61.19 (1964): 57184.
  • Deleuze, Gilles, and Felix Guattari. A Thousand Plateaus. Translated by Brian Massumi. Minneapolis : U of Minnesota P, 1987.
  • Dutton, Dennis. “Authenticity in Art. The Oxford Handbook of Aesthetics. Ed. Jerrold Levinson. New York and Oxford : Oxford UP, 2003.
  • Eurich, Johannes. “Sociological Aspects and Ritual Similarities in the Relationship between Pop Music and Religion. International Review of the Aesthetics and Sociology of Music 34.1 (2003): 5770.
  • Frere-Jones, Sasha. “Ladies Wild: How Not Dumb Is Gaga?” The New Yorker April 27, 2009. Available at http://www.newyorker.com/arts/critics/musical/2009/04/27/090427crmu_music_frerejones?currentPage=all. Accessed on December 9, 2011.
  • Frere-Jones, Sasha. “Show Runners, The Women of Pop. The New Yorker June 27, 2011. Available at http://www.newyorker.com/arts/critics/musical/2011/06/27/110627crmu_music_frerejones?currentPage=allWeb. Accessed on December 9, 2011.
  • Goodyear, Dana. “Dept. of Hoopla: Celebromatic. The New Yorker November 30, 2009. Available at http://www.newyorker.com/talk/2009/11/30/091130ta_talk_goodyear. Accessed on December 9, 2011.
  • McLeod, Ken. “Space Oddities: Aliens, Futurism and Meaning in Popular Music. Popular Music 22.3 (2003): 33755.
  • Mitchell, Tony. “Performance and the Postmodern in Pop Music. Theatre Journal, Performance in Context. 41.3 (1989): 27393.
  • Strauss, Neil. “The Broken Heart & Violent Fantasies of Lady Gaga. Rolling Stone Magazine (1108/1109) (2010): 6674.
  • Wright, Robert. “‘I’d Sell You Suicide:’ Pop Music and Moral Panic in the Age of Marilyn Manson,” Popular Music 19.3 (2000): 36585.