Ian Inglis is reader in popular music at the University of Northumbria, Newcastle upon Tyne, UK. His doctoral research considered the significance of sociological, social psychological, and cultural theory in explanations of the career of the Beatles. He has edited three books: The Beatles, Popular Music and Society: A Thousand Voices (2000); Popular Music and Film (2003); Performance and Popular Music: History, Place and Time (2006); and is currently preparing a fourth, Perspectives on Popular Music. He is a member of the editorial board of Popular Music and Society, and has published in a wide variety of journals, including Popular Music, Journal of Popular Music Studies, Critical Studies in Media Communication, American Music, Visual Culture in Britain, Popular Music and Society, and International Review of the Aesthetics and Sociology of Music. He has also contributed chapters to numerous books across a wide range of subjects, including music censorship, the horror film, tribute bands, song in cinema, and musical texts.
The Ed Sullivan Show and the (Censored) Sounds of the Sixties
Article first published online: 3 JUL 2006
The Journal of Popular Culture
Volume 39, Issue 4, pages 558–575, August 2006
How to Cite
INGLIS, I. (2006), The Ed Sullivan Show and the (Censored) Sounds of the Sixties. The Journal of Popular Culture, 39: 558–575. doi: 10.1111/j.1540-5931.2006.00279.x
- Issue published online: 3 JUL 2006
- Article first published online: 3 JUL 2006
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