What Monet Meant: Intention and Attention in Understanding Art
Article first published online: 5 MAY 2004
DOI: 10.1111/j.1540-594X.2004.00150.x
Additional Information
How to Cite
Rollins, M. (2004), What Monet Meant: Intention and Attention in Understanding Art. The Journal of Aesthetics and Art Criticism, 62: 175–188. doi: 10.1111/j.1540-594X.2004.00150.x
Publication History
- Issue published online: 5 MAY 2004
- Article first published online: 5 MAY 2004
Cited in:
- CrossRef
This article has been cited by:
- 1, , A model of art perception, evaluation and emotion in transformative aesthetic experience, New Ideas in Psychology, 2011, 29, 2, 80
- 2, Aesthetics and Cognitive Science, Philosophy Compass, 2009, 4, 5Direct Link:
- 3, What Is Art? A methodological framework for a pluridisciplinary investigation, Cognitive Semiotics, 2009, 9, 5, 122
- 4, , Art, Artists, and Perception: A Model for Premotor Contributions to Perceptual Analysis and Form Recognition, Philosophical Psychology, 2008, 21, 2, 149

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