Since the late 1970s, ceramics producers in the Nicaraguan village of San Juan de Oriente have repeatedly transformed both the design of and the technology for making their products. Different types of Scandinavian museums exhibited the most recent form of San Juanense pottery in 2006–08, which provided me with an opportunity to reflect on the history and character of the pottery in light of my own involvement with its producers since the early 1980s. This article unpacks those reflections in terms of the discourse of authenticity that anthropologists have elaborated over the past three decades. [multiple forms of authenticity, ceramics production, artisan communities, San Juan de Oriente, Nicaragua, role of anthropology, systems of value]
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