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References

  • Appadurai, Arjun 1986 The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press.
  • Banks, Marcus 2007 The Burden of Symbols: Film and Representation in India. In The Cinema of Robert Gardner. IlisaBarbash and LucienTaylor, eds. Oxford:Berg.
  • Chopra, Radhika 1989 Robert Gardner's “Forest of Bliss.” A Review. Visual Anthropology Review 5 (1):23.
  • Gardner, R., and A. Ostor 2001 Making Forest of Bliss: Intention, Circumstance and Chance in a Non-Fiction Film. Cambridge, MA: Harvard Film Archive, Harvard University Press.
  • Heider, Karl G. 1976 Ethnographic Film. Austin: University of Texas Press.
  • Larsen, Tord 1992 The Aesthetic Turn. American Anthropologist 96 (1).
  • Loizos, Peter 1992 Notes on the Non-Transparency of Local Narratives and Performances. American Anthropologist 96 (1).
  • Loizos, Peter 1993 Innovation in Ethnographic Film, from Innocence to Self-Consciousness. Manchester, UK: University of Manchester Press.
  • Moore, Alexander 1988 The Limitations of Imagist Documentary. A Review of Robert Gardner's “Forest of Bliss.” Society for Visual Anthropology Newsletter 4 (2):13.
  • Ostor, Akos 1989 Is That What “Forest of Bliss” Is All About? A Response. Visual Anthropology Review 5 (1):48.
  • Parry, Jonathan 1988 Comment on Robert Gardner's “Forest of Bliss.” Visual Anthropology Review 4 (2):47.
  • Parry, Jonathan 1994 Death in Banaras. The Lewis Henry Morgan Lectures. Cambridge, NY: Cambridge University Press.
  • Piault, Colette 1989 Filming Ritual Introductory Remarks. Society for Visual Anthropology Newsletter. Spring:1517.
  • Piault, Marc 1989 Filming Rituals. Society for Visual Anthropology Newsletter. Spring:17.
  • Ruby, Jay 1989 The Emperor and His Clothes. A Comment. Visual Anthropology 4:1724.