SEARCH

SEARCH BY CITATION

Abstract

This article describes the current state of Milton studies. In the first part, I outline the dominant paradigm – i.e., that Milton is a poet of certainty and orthodoxy – showing how this paradigm arose and how it continues to shape a great deal of Milton scholarship. In the second part, I outline how a New Milton Criticism is starting to take shape, one which embraces indeterminacy and incertitude.