Aldhelm and the Two Cultures of Anglo-Saxon Poetry
Article first published online: 18 JUL 2007
DOI: 10.1111/j.1741-4113.2007.00483.x
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How to Cite
Abram, C. (2007), Aldhelm and the Two Cultures of Anglo-Saxon Poetry. Literature Compass, 4: 1354–1377. doi: 10.1111/j.1741-4113.2007.00483.x
Publication History
- Issue published online: 18 JUL 2007
- Article first published online: 18 JUL 2007
- Literature Compass 4/5 (2007): 1354–1377, 10.1111/j.1741-4113.2007.00483.x
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Abstract
Old English literature dominates the study of Anglo-Saxon culture as a whole, to the extent that ‘Anglo-Saxon’ and ‘Old English’ were for a long time considered synonymous. The Anglo-Saxons, however, also produced a large body of texts in Latin. In this survey, I examine the often false dichotomy sometimes made between Old English and Anglo-Latin literary aesthetics and textual production as they are revealed through Anglo-Saxon poetry, and discuss the post-medieval intellectual contexts that produce and sustain this dichotomy. The figure and work of Aldhelm (c.639 ce–709 ce) is used as an example of how Anglo-Saxon poets often occupied a liminal position between Latinate and Germanic culture. I argue that a proper understanding of Anglo-Saxon culture (and poetry’s place within it) requires us to disassemble the artificial barriers that have been erected between Old English and Anglo-Latin verse.

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