Correspondence address: Amanda Rogers, Department of Geography, Royal Holloway, University of London, Egham, Surrey, TW20 0EX, UK. E-mail: email@example.com.
Geographies of the Performing Arts: Landscapes, Places and Cities
Version of Record online: 2 FEB 2012
© 2012 The Author. Geography Compass © 2012 Blackwell Publishing Ltd
Volume 6, Issue 2, pages 60–75, February 2012
How to Cite
Rogers, A. (2012), Geographies of the Performing Arts: Landscapes, Places and Cities. Geography Compass, 6: 60–75. doi: 10.1111/j.1749-8198.2011.00471.x
- Issue online: 2 FEB 2012
- Version of Record online: 2 FEB 2012
The performing arts of dance, theatre, music and live art have become established means through which cultural geographers can examine how people experience and make sense of their everyday worlds. Simultaneously, performance theorists and practitioners increasingly seek geographical tools that help elucidate the broader processes or politics that underpin artistic genres of performance. This review article works at this interdisciplinary nexus, exploring the diverse areas of engagement between geography and the performing arts. It provides an overview of three spatialities around which interdisciplinary exchanges take place, and where there are interesting synergies in the conceptual approach to studying geographies of performance, namely: landscapes, places and cities. In so doing, the article outlines some avenues where geography and performance studies academics might further their mutual interests, and argues that geography is central to the constitution, meaning and form that performance works take.