The Journal of Popular Culture

Cover image for The Journal of Popular Culture

Winter 1978

Volume XII, Issue 3

Pages 389–573

    1. Sex In Baseball: Reflections of Changing Taboos (pages 389–403)

      David. Q Voigt

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_389.x

    2. Introduction: In-depth The American Musical (pages 404–405)

      Earl F. Bargainnier

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_404.x

    3. Musical Comedy: From Performer to Performance (pages 406–421)

      Harriet Deer and Irving Deer

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_406.x

    4. John Brougham: The Aristophanes of American Burlesque (pages 422–431)

      Rita M. Plotnicki

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_422.x

    5. W. S. Gilbert and American Musical Theatre (pages 446–458)

      Earl F. Bargainnier

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_446.x

    6. Scherzo, Forte, & Bravura: Satire In America's Musical Theater (pages 459–481)

      John. R Clark and William E. Morris

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_459.x

    7. Theatrical Parodies in American Topical Revues (pages 482–490)

      Margaret M. Knapp

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_482.x

    8. The Theme of Popular vs. Elite Art In the Hollywood Musical (pages 491–499)

      Jane Feuer

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_491.x

    9. Dance: Its Past and Its Promise on Film (pages 500–506)

      Richard Sonnenshein

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_500.x

    10. Uses of Antithesis in the Lyrics of Oscar Hammerstein II (pages 507–512)

      R. L. Cowser Jr.

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_507.x

    11. The Musical Dramas of Stephen Sondheim: Some Critical Approaches (pages 513–525)

      Thomas P. Adler

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_513.x

    12. Pal Joey Meets More Than His Match (pages 526–530)

      John Harrison

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_526.x

    13. Annie Get Your Gun: A Last Celebration of Nationalism (pages 531–539)

      Timothy P. Donovan

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_531.x

    14. Man of La Mancha: Doddering Nausea or Craftsmanship? (pages 540–544)

      John Harrison

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_540.x

    15. Broadway Retrogresses: The Bookless Musical (pages 545–549)

      R.L. Cowser Jr.

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_545.x

    16. Caberet and Nashville: The Musical as Social Comment (pages 550–556)

      Stephen. E Bowles

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_550.x

    17. Saturday Night Fever and Nashville: Exploring the Comic Mythos (pages 557–571)

      Richard Hasbany

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_557.x

  1. Book Reviews

    1. Top of page
    2. Book Reviews
    1. BOOK REVIEWS (pages 572–573)

      Version of Record online: 5 MAR 2004 | DOI: 10.1111/j.0022-3840.1978.1203_572.x

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