Journal of Popular Music Studies

Cover image for Vol. 23 Issue 2

June 2011

Volume 23, Issue 2

Pages 145–257

  1. A Note from the Editors

    1. Top of page
    2. A Note from the Editors
    3. ARTICLES
    4. AMPLIFIER
    5. BOOK REVIEWS
    6. RECORDING REVIEWS
    7. CONTRIBUTORS' NOTES
    1. A Note from the Editors (page 145)

      Gustavus Stadler and Karen Tongson

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01291.x

  2. ARTICLES

    1. Top of page
    2. A Note from the Editors
    3. ARTICLES
    4. AMPLIFIER
    5. BOOK REVIEWS
    6. RECORDING REVIEWS
    7. CONTRIBUTORS' NOTES
    1. Elvis Presley and Susan Boyle: Bodies of Controversy (pages 166–189)

      Mark Duffett

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01278.x

  3. AMPLIFIER

    1. Top of page
    2. A Note from the Editors
    3. ARTICLES
    4. AMPLIFIER
    5. BOOK REVIEWS
    6. RECORDING REVIEWS
    7. CONTRIBUTORS' NOTES
    1. No Logos? (pages 190–194)

      Wayne Marshall

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01279.x

    2. On Meaninglessness (pages 195–199)

      Joanna Demers

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01280.x

    3. How Can I Refuse? (pages 200–206)

      Alexandra T. Vazquez

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01281.x

    4. Talking Popular Music in the Field and off the Field (pages 207–211)

      Eric Weisbard

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01282.x

    5. Sound Recordings and Popular Music Histories: The Remix (pages 212–220)

      David Suisman

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01283.x

    6. Choral Vocality and Pop Fantasies of Collaboration (pages 229–234)

      Karen Tongson

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01285.x

    7. Strategic Naïveté (pages 235–240)

      Gustavus Stadler

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01289.x

  4. BOOK REVIEWS

    1. Top of page
    2. A Note from the Editors
    3. ARTICLES
    4. AMPLIFIER
    5. BOOK REVIEWS
    6. RECORDING REVIEWS
    7. CONTRIBUTORS' NOTES
  5. RECORDING REVIEWS

    1. Top of page
    2. A Note from the Editors
    3. ARTICLES
    4. AMPLIFIER
    5. BOOK REVIEWS
    6. RECORDING REVIEWS
    7. CONTRIBUTORS' NOTES
    1. Michael by Michael Jackson (pages 249–251)

      Scott Poulson-Bryant

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01288.x

  6. CONTRIBUTORS' NOTES

    1. Top of page
    2. A Note from the Editors
    3. ARTICLES
    4. AMPLIFIER
    5. BOOK REVIEWS
    6. RECORDING REVIEWS
    7. CONTRIBUTORS' NOTES
    1. Contributors’ Notes (pages 255–257)

      Version of Record online: 15 JUN 2011 | DOI: 10.1111/j.1533-1598.2011.01292.x

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