Journal of Popular Music Studies

© 2013 Wiley Periodicals, Inc.

Cover image for Vol. 24 Issue 3

September 2012

Volume 24, Issue 3

Pages 257–397

  1. EDITORS' NOTE

    1. Top of page
    2. EDITORS' NOTE
    3. AMPLIFIER
    4. ESSAYS
    5. CONTRIBUTORS' NOTES
    1. Editors’ Note (page 257)

      Gustavus Stadler and Karen Tongson

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01331.x

  2. AMPLIFIER

    1. Top of page
    2. EDITORS' NOTE
    3. AMPLIFIER
    4. ESSAYS
    5. CONTRIBUTORS' NOTES
    1. The Original Sound of the City: How Charlie Gillett Named This Conference (pages 258–264)

      Robert Christgau

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01332.x

    2. Drive Slow: Rehearing Hip Hop Automotivity (pages 265–275)

      Adrienne Brown

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01333.x

    3. Did New York Kill Indie Rock? (pages 276–279)

      Keith Harris

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01334.x

    4. “HONK! Pedagogy” and Music Education (pages 280–286)

      Reebee Garofalo

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01335.x

    5. Taking Sesame to the Streets: Young Children's Interactions with Pop Music's Urban Aesthetic in the 1970s (pages 287–304)

      Kathryn A. Ostrofsky

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01336.x

    6. Fading Out: White Flight and Sly and the Family Stone's “Stand!” (pages 305–315)

      Emily J. Lordi

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01337.x

    7. The City That Celebrates Itself: Los Angeles on Los Angeles (pages 316–324)

      Barney Hoskyns

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01338.x

    8. “Deliver de Letter”: “Please Mr. Postman,” The Marvelettes, and the Afro-Caribbean Imaginary (pages 325–332)

      Gayle Wald

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01339.x

  3. ESSAYS

    1. Top of page
    2. EDITORS' NOTE
    3. AMPLIFIER
    4. ESSAYS
    5. CONTRIBUTORS' NOTES
    1. “This Is Who I Am”: Jero, Young, Gifted, Polycultural (pages 333–356)

      Kevin Fellezs

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01340.x

    2. “Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power (pages 357–395)

      Patrick Feaster

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01341.x

  4. CONTRIBUTORS' NOTES

    1. Top of page
    2. EDITORS' NOTE
    3. AMPLIFIER
    4. ESSAYS
    5. CONTRIBUTORS' NOTES
    1. Contributors’ Notes (pages 396–397)

      Article first published online: 19 SEP 2012 | DOI: 10.1111/j.1533-1598.2012.01342.x

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