I thank Jessica Wilde and the two anonymous reviewers for the insightful comments and helpful suggestions in reviewing this article.
Visual Culture and the Fight for Visibility†
Version of Record online: 11 NOV 2013
© 2013 John Wiley & Sons Ltd
Journal for the Theory of Social Behaviour
Volume 44, Issue 2, pages 206–228, June 2014
How to Cite
Schroer, M. (2014), Visual Culture and the Fight for Visibility. Journal for the Theory of Social Behaviour, 44: 206–228. doi: 10.1111/jtsb.12038
- Issue online: 13 MAY 2014
- Version of Record online: 11 NOV 2013
- social theory;
- cultural sociology;
- visual culture;
- social figure
The article explores the relationship between visual culture and the fight for visibility and attention in contemporary society. It draws on a concept of visual culture which not only sees the rising significance of the visual and the proliferation of images as its defining traits, but also the fact that, today, people are—to a much higher degree—both consumers as well as producers of images. Based on this definition, it is argued that in visually oriented communication and media societies, the anthropologically fundamental need for attention manifests itself as a fight for visibility which takes on the form of ever more extreme forms of public self-display. Furthermore, a portrait of two social figures—the star and the voyeur—will serve as further analysis and description of the social trends which can be tied to the emergence of today's visual culture. The article will close by discussing attention and visibility in terms of inclusion and exclusion and by proposing an analytical model for differentiating four modes of existence in a visual culture.