Annals of the New York Academy of Sciences

Cover image for Annals of the New York Academy of Sciences

June 2001

Volume 930 THE BIOLOGICAL FOUNDATIONS OF MUSIC

Pages ix–x, 1–456

  1. Frontmatter

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Preface (pages ix–x)

      ROBERT J. ZATORRE and ISABELLE PERETZ

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05720.x

  2. The Biological Foundations of Music: Part I. The Origins of Music

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Musical Predispositions in Infancy (pages 1–16)

      SANDRA E. TREHUB

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05721.x

    2. The Quest for Universals in Temporal Processing in Music (pages 17–27)

      CAROLYN DRAKE and DAISY BERTRAND

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05722.x

    3. Music, Cognition, Culture, and Evolution (pages 28–42)

      IAN CROSS

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05723.x

    4. Is Music an Evolutionary Adaptation? (pages 43–61)

      DAVID HURON

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05724.x

  3. The Biological Foundations of Music: Part II. The Musical Mind

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Similarity, Invariance, and Musical Variation (pages 62–76)

      STEPHEN MCADAMS and DANIEL MATZKIN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05725.x

    2. Tonal Cognition (pages 77–91)

      CAROL L. KRUMHANSL and PETRI TOIVIAINEN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05726.x

  4. The Biological Foundations of Music: Part III. The Neurons of Music

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Neurobiological Foundations for the Theory of Harmony in Western Tonal Music (pages 92–116)

      MARK JUDE TRAMO, PETER A. CARIANI, BERTRAND DELGUTTE and LOUIS D. BRAIDA

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05727.x

    2. Intracerebral Evoked Potentials in Pitch Perception Reveal a Functional Asymmetry of the Human Auditory Cortex (pages 117–132)

      CATHERINE LIÉGEOIS-CHAUVEL, KIMBERLY GIRAUD, JEAN-MICHEL BADIER, PATRICK MARQUIS and PATRICK CHAUVEL

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05728.x

    3. The Neural Processing of Complex Sounds (pages 133–142)

      TIMOTHY D. GRIFFITHS

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05729.x

  5. The Biological Foundations of Music: Part IV. The Musical Brain

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Music and the Neurologist : A Historical Perspective (pages 143–152)

      JOHN C. M. BRUST

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05730.x

    2. Cerebral Substrates for Musical Temporal Processes (pages 166–178)

      SÉVERINE SAMSON, NATHALIE EHRLÉ and MICHEL BAULAC

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05732.x

    3. Cerebral Substrates of Musical Imagery (pages 179–192)

      ANDREA R. HALPERN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05733.x

    4. Neural Specializations for Tonal Processing (pages 193–210)

      ROBERT J. ZATORRE

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05734.x

    5. Comparison between Language and Music (pages 232–258)

      MIREILLE BESSON and DANIELE SCHÖN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05736.x

    6. How Many Music Centers Are in the Brain? (pages 273–280)

      ECKART O. ALTENMÜLLER

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05738.x

  6. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Representational Cortex in Musicians : Plastic Alterations in Response to Musical Practice (pages 300–314)

      C. PANTEV, A. ENGELIEN, V. CANDIA and T. ELBERT

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05740.x

    2. The Brain That Plays Music and Is Changed by It (pages 315–329)

      ALVARO PASCUAL-LEONE

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05741.x

    3. Cortical Plasticity and Music (pages 330–336)

      JOSEF P. RAUSCHECKER

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05742.x

  7. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. The Sounds of Poetry Viewed as Music (pages 337–354)

      FRED LERDAHL

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05743.x

    2. Music and Nonmusical Abilities (pages 355–371)

      E. GLENN SCHELLENBERG

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05744.x

  8. The Biological Foundations of Music: Part VII. Poster Papers

    1. Top of page
    2. Frontmatter
    3. The Biological Foundations of Music: Part I. The Origins of Music
    4. The Biological Foundations of Music: Part II. The Musical Mind
    5. The Biological Foundations of Music: Part III. The Neurons of Music
    6. The Biological Foundations of Music: Part IV. The Musical Brain
    7. The Biological Foundations of Music: Part V. Musical Expertise/Brain Plasticity
    8. The Biological Foundations of Music: Part VI. Music and Related Cognitive Abilities
    9. The Biological Foundations of Music: Part VII. Poster Papers
    1. Are Music and Language Homologues? (pages 372–374)

      STEVEN BROWN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05745.x

    2. Associations and Dissociations among Music Training, Tonal and Temporal Order Processing, and Cognitive Skills (pages 386–388)

      CHRISTINE K. KOH, LOLA L. CUDDY and LORNA S. JAKOBSON

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05748.x

    3. Playing the Piano by Heart : From Behavior to Cognition (pages 389–393)

      RITA AIELLO

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05749.x

    4. Absolute Pitch, Early Musical Instruction, and Spatial Abilities (pages 394–396)

      EUGENIA COSTA-GIOMI, RAMONA GILMOUR, JEANNE SIDDELL and ELIZABETH LEFEBVRE

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05750.x

    5. Infant Long-Term Memory for Music (pages 397–400)

      JENNY R. SAFFRAN, MICHELLE M. LOMAN and RACHEL R. W. ROBERTSON

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05751.x

    6. Phases in Children's Rhythmic Development (pages 401–404)

      SILVIA MALBRÁN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05752.x

    7. Variance Decomposition of Tempo Drift in Isochronous Rhythmic Tapping (pages 405–408)

      GEOFFREY L. COLLIER and R. TODD OGDEN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05753.x

    8. Estimates of Sequence Acceleration and Deceleration Support the Synchronization of Internal Rhythms (pages 412–413)

      AMANDINE PENEL, MARIE RIVENEZ and CAROLYN DRAKE

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05755.x

    9. Frontal Lobe Contributions to Perception of Rhythmic Group Structure : An EEG Investigation (pages 414–417)

      PHILIP G. HARRIS, RICHARD B. SILBERSTEIN, GEOFF E. NIELD and ANDREW PIPINGAS

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05756.x

    10. Cortical Representations of Temporal Structures in Music (pages 418–419)

      MICHAEL GROSSBACH, HELEN KUCK, MARC BANGERT and ECKART ALTENMÜLLER

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05757.x

    11. Neapolitan Chords Activate the Area of Broca : A Magnetoencephalographic Study (pages 420–421)

      STEFAN KOELSCH, BURKHARD MAESS, THOMAS C. GUNTER and ANGELA D. FRIEDERICI

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05758.x

    12. Cortical Dynamics and the Perception of Tone Sequence Structure (pages 422–424)

      ANIRUDDH D. PATEL and EVAN BALABAN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05759.x

    13. On Practice: How the Brain Connects Piano Keys and Piano Sounds (pages 425–428)

      MARC BANGERT, UDO HAEUSLER and ECKART ALTENMÜLLER

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05760.x

    14. Transcranial Magnetic Stimulation Produces Speech Arrest but Not Song Arrest (pages 433–435)

      LAUREN STEWART, VINCENT WALSH, UTA FRITH and JOHN ROTHWELL

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05762.x

    15. Development of the Happy-Sad Distinction in Music Appreciation : Does Tempo Emerge Earlier Than Mode? (pages 436–438)

      S. DALLA BELLA, I. PERETZ, L. ROUSSEAU, N. GOSSELIN, J. AYOTTE and A. LAVOIE

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05763.x

    16. Frontal EEG Responses as a Function of Affective Musical Features (pages 439–442)

      C. D. TSANG, L. J. TRAINOR, D. L. SANTESSO, S. L. TASKER and L. A. SCHMIDT

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05764.x

    17. Musical Processing in High Functioning Children with Autism (pages 443–444)

      P. HEATON, L. PRING and B. HERMELIN

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05765.x

    18. Impact of Music Therapy on the Communication Skills of Toddlers with Pervasive Developmental Disorder (pages 445–447)

      YEOU-CHENG M. MA, JOSEPH NAGLER, MATHEW H. M. LEE and IZUMI N. CABRERA

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05766.x

    19. A Dynamic Systems Model of Musically Induced Emotions : Physiological and Self-Report Evidence (pages 452–456)

      JULIAN F. THAYER and MEREDITH L. FAITH

      Version of Record online: 25 JAN 2006 | DOI: 10.1111/j.1749-6632.2001.tb05768.x

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