My thanks to Roger Crum, Amanda Lillie, John Paoletti and Gary Radke for their generous help in the early stages of this project. I also thank the two anonymous referees for their perceptive comments, which greatly improved this essay.
Abbess Piera de' Medici and her kin: gender, gifts, and patronage in Renaissance Florence
Article first published online: 16 DEC 2013
© 2013 The Society for Renaissance Studies and John Wiley & Sons Ltd
Volume 28, Issue 5, pages 695–713, November 2014
How to Cite
Strocchia, S. T. (2014), Abbess Piera de' Medici and her kin: gender, gifts, and patronage in Renaissance Florence. Renaissance Studies, 28: 695–713. doi: 10.1111/rest.12043
- Issue published online: 19 OCT 2014
- Article first published online: 16 DEC 2013
This essay advances our understanding of early Medici patronage by focusing on the intriguing figure of Piera de' Medici (c. 1400–1482), who matured into one of the most powerful abbesses in Renaissance Florence. As a religious woman, Piera used her ties to the city's ruling family to benefit her Vallombrosan community of S. Verdiana; in turn, it was through her agency that the Medici established long-term claims on the convent, its consecrated virgins and its sacred cult. This case study shows how Piera combined rhetorical skills, political acumen and gift exchange to build a relationship with Giovanni de' Medici (1421–1463), whose patronage activities are less well known than those of other family members. It also invites a reconsideration of the role Florentine women played in producing visual culture by comparing Giovanni's donations to gifts made by his wife, Ginevra Alessandri. This perspective is especially valuable given that scholars have commented on the scarcity of female artistic patrons in fifteenth-century Florence compared to other areas of Italy. By considering different classes of objects and models of exchange, this essay contends that Florentine women played a more expansive role in cultural production than previously recognized.