I would like to thank Irina Reyfman, John Wright, and my anonymous reviewers for their helpful feedback during my work on this article.
“And what of my Onegin?” Displacement and Reinvention of the Hero in Eugene Onegin
Version of Record online: 16 JAN 2013
Copyright 2013 The Russian Review
The Russian Review
Volume 72, Issue 1, pages 1–23, January 2013
How to Cite
DVIGUBSKI, A. (2013), “And what of my Onegin?” Displacement and Reinvention of the Hero in Eugene Onegin. The Russian Review, 72: 1–23. doi: 10.1111/russ.10678
- Issue online: 16 JAN 2013
- Version of Record online: 16 JAN 2013
In discussions of Eugene Onegin, the role of the author-narrator often presents particular difficulty. Critics have tried to explain the contradictions underlying Pushkin's construction of this character, which appears to occupy simultaneously a fictional and a biographical plane in the work. In this paper, I propose an interpretation of this figure as a competitor to Onegin for the status of the hero. I argue that by including the author-narrator in the work, Pushkin challenges the genre conventions of the romantic poem, first distancing and parodying the Romantic hero Eugene and then replacing him with the author-narrator who represents a new kind of hero. Parallel to this experimentation with genre conventions is Pushkin's interest in reshaping the Russian literary language. As Onegin is succeeded by the author-narrator as the hero, the Russian poetic conventions of Pushkin's time are similarly distanced and replaced by Pushkin's (and the author-narrator's) verbal inventions. Finally, I suggest that the author-narrator is an example of a new complex consciousness, specifically in his ability to recreate the voices of other poets in contrast to his own poetic discourse, which shows a movement in the direction of the Russian realist novel, specifically Dostoevsky's polyphonic model of consciousness.