ABSTRACT This article brings diaspora studies into a fruitful conversation with linguistic anthropology by examining the relationships among the formation of Sikh diasporic subjects, images of tortured bodies, quotidian Internet practices, and state-sponsored terror in India. The fleeting emergence of an enunciative subject of diaspora within a single poetic performance compels an examination of the impact of violence and gender normativity for those who self-identify as Sikh. Diaspora may be understood more productively as a globally mobile category of identification rather than a community of individuals dispersed from a homeland, and the “context” of diaspora may be understood through its production of disparate temporalities (anteriorities, presents, futurities) and subjects.
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