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REFERENCES

  • Arnheim, Rudolf. 1965. Art and Visual Perception. University of California Press.
  • Arnheim, Rudolf. 1966. Towards a Psychology of Art: Collected Essays. University of California Press.
  • Arnheim, Rudolf. 1969. Visual Thinking. University of California Press.
  • Austin, Lewis. 1975. Saints and Samurai: The Political Culture of the American and Japanese Elites. Yale University Press.
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  • Dahl, Robert. 1967. Pluralist Democracy in the United States: Conflict and Consent. Rand McNally.
  • Èfron, David. 1941. Gesture and Environment: A Tentative Study of Some of the Spatio-temporal and “Linguistic” Aspects of the Gestural Behavior of Eastern Jews and Southern Italians in New York City, Living under Similar as Well as Different Environmental Conditions. King's Crown Press, Columbia University.
  • Frye, Northrop. 1957. Anatomy of Criticism. Princeton University Press.
  • Grinnell, Robert. 1973. Alchemy in a Modern Woman. Spring Publications.
  • Harries, Karsten. 1968. The Meaning of Modern Art. Northwestern University Press.
  • Hatcher, Evelyn Payne. 1974. Visual Metaphors: a Formal Analysis of Navajo Art. West Publishing Co. (American Ethnological Society monograph 58.).
  • Jones, W. T. 1961. The Romantic Syndrome: Towards a New Method in Cultural Anthropology and the History of Ideas. Nijhoff.
  • Langer, Susanne. 1953. Feeling and Form: a Theory of Art. Scribner.
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  • Maruyama, Masao. 1969. Thought and Behavior in Modern Japanese Politics.
  • McClosky, Herbert. 1958. Conscience and Personality. American Political Science Review 52:2745.
  • Memmi, Albert. 1968. The Colonizer and the Colonized. Orion Press.
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  • Needham, Rodney, ed. 1973. Right and Left: Essays in Dual Symbolic Classification. University of Chicago Press.
  • Osgood, C. E. 1963. Language Universals and Psycholinguistics, Universals of Language (Joseph H.Greenberg, ed.), pp. 299322. Massachusetts Institute of Technology Press.
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  • Oyama, Tadasu, Yasumasa Tanaka, and Jun Haga. 1963. Color-Affection and Color-Symbolism in Japanese and American Students. Shinrigaku Kenkyu 34(3): 108120.
  • Read, Herbert. 1957. The Philosophy of Modern Art. Faber and Faber.
  • Tomkins, Silvan. 1963. Left and Right: a Basic Dimension of Ideology and Personality, The Study of Lives: Essays on Personality in Honor of Henry A. Murray (R. W.White, ed.), pp. 388411. Atherton Press.
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  • Watanuki, Joji. 1974. Nihonjin no Kokusai Shakai-kan (sono ichi); Chosa no Kenkyu 2, Sophia University, Institute of International Relations.
  • Wilson, Glenn Daniel, ed. 1973. The Psychology of Conservatism. Academic Press.
  • Wölfflin, Heinrich. 1950. Principles of Art History: the Problem of the Development of Style in Later Art. Dover Publications.