This paper examines student perceptions of humor in the film First Contact. Based on previous critiques of cultural representations—namely, charges that some ethnographic films replicate stereotypes and that images of deified European explorers instantiate a “myth model”—the paper considers the possibility that laughter evoked by First Contact derives from the viewers’ sense of cultural superiority. For the most part, this interpretation is not confirmed. Instead, audience laughter is found to be based on incongruities in the interactions captured in the film. Using notions of incongruity, connections are drawn between humor, wonder, intellectual discovery, and cultural contact.