<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"><channel rdf:about="http://onlinelibrary.wiley.com/rss/journal/10.1111/(ISSN)1533-1598" xmlns="http://purl.org/rss/1.0/"><title>Journal of Popular Music Studies</title><description> Wiley Online Library : Journal of Popular Music Studies</description><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2F%28ISSN%291533-1598</link><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc</dc:publisher><dc:language xmlns:dc="http://purl.org/dc/elements/1.1/">en</dc:language><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/">© 2013 Wiley Periodicals, Inc.</dc:rights><prism:issn xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">1524-2226</prism:issn><prism:eIssn xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">1533-1598</prism:eIssn><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-01T00:00:00-05:00</dc:date><prism:coverDisplayDate xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">March 2013</prism:coverDisplayDate><prism:volume xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">25</prism:volume><prism:number xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">1</prism:number><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">1</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">122</prism:endingPage><image rdf:resource="http://onlinelibrary.wiley.com/store/10.1111/jpms.2013.25.issue-1/asset/cover.gif?v=1&amp;s=83b020a925467594af8cf994928e17e2b05553e9"/><items><rdf:Seq><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12011"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12012"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12013"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12014"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12015"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12016"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12017"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12019"/><rdf:li rdf:resource="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12020"/></rdf:Seq></items></channel><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12011" xmlns="http://purl.org/rss/1.0/"><title>Remembering David Sanjek (1952–2011)</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12011</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">Remembering David Sanjek (1952–2011)</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Paul Fischer, Norma Coates, Anahid Kassabian, Reebee Garofalo</dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12011</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12011</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12011</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">1</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">12</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12012" xmlns="http://purl.org/rss/1.0/"><title>Clarity and Order in Sonic Youth's Early Noise Rock</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12012</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">Clarity and Order in Sonic Youth's Early Noise Rock</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Caroline Polk O’Meara</dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12012</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12012</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12012</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">13</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">30</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12013" xmlns="http://purl.org/rss/1.0/"><title>Said the Hooker to the Thief: “Some Way Out” of Rockism</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12013</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">Said the Hooker to the Thief: “Some Way Out” of Rockism</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Miles Parks Grier</dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12013</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12013</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12013</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">31</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">55</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12014" xmlns="http://purl.org/rss/1.0/"><title>How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12014</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Leonard Nevarez</dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12014</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12014</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12014</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">56</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">76</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12015" xmlns="http://purl.org/rss/1.0/"><title>“Dance ’til You Feel Better”: How the “Godfather of Soul” Saved Boston</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12015</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">“Dance ’til You Feel Better”: How the “Godfather of Soul” Saved Boston</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Jennifer R. Billinson</dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12015</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12015</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12015</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">77</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">90</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12016" xmlns="http://purl.org/rss/1.0/"><title>Performance, Materiality, and Heritage: What Does an Archaeology of Popular Music Look Like?</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12016</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">Performance, Materiality, and Heritage: What Does an Archaeology of Popular Music Look Like?</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Tadhg O'Keeffe</dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12016</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12016</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12016</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">91</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">113</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12017" xmlns="http://purl.org/rss/1.0/"><title> The Cambridge Companion to Recorded Music edited by Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12017</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/"> The Cambridge Companion to Recorded Music edited by Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">
              Theodore
             
              Gracyk
            </dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12017</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12017</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12017</prism:url><prism:section xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">BOOK REVIEWS</prism:section><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">114</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">116</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12019" xmlns="http://purl.org/rss/1.0/"><title> Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion by Kevin Fellezs</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12019</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/"> Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion by Kevin Fellezs</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">
              Kevin
             
              Gaines
            </dc:creator><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12019</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12019</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12019</prism:url><prism:section xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">BOOK REVIEWS</prism:section><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">116</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">119</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item><item rdf:about="http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12020" xmlns="http://purl.org/rss/1.0/"><title>Contributors’ Notes</title><link>http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12020</link><dc:title xmlns:dc="http://purl.org/dc/elements/1.1/">Contributors’ Notes</dc:title><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:date xmlns:dc="http://purl.org/dc/elements/1.1/">2013-03-12T21:14:50.444486-05:00</dc:date><dc:identifier xmlns:dc="http://purl.org/dc/elements/1.1/">doi:10.1111/jpms.12020</dc:identifier><dc:rights xmlns:dc="http://purl.org/dc/elements/1.1/"/><dc:publisher xmlns:dc="http://purl.org/dc/elements/1.1/">John Wiley &amp; Sons, Inc.</dc:publisher><prism:doi xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">10.1111/jpms.12020</prism:doi><prism:url xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpms.12020</prism:url><prism:startingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">120</prism:startingPage><prism:endingPage xmlns:prism="http://prismstandard.org/namespaces/1.2/basic/">122</prism:endingPage><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded><description/></item></rdf:RDF>