The Journal of Popular Culture

The Journal of Popular Culture Wiley Online Library : The Journal of Popular Culturehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2F%28ISSN%291540-5931John Wiley & Sons, Incen© 2013 Wiley Periodicals, Inc.0022-38401540-59312013-04-01T00:00:00-05:00April 2013462241460Love between Sisters: Queering Polygamy in Big Lovehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00937.xLove between Sisters: Queering Polygamy in Big LoveKyra Hunting2012-06-06T01:37:43.673553-05:00doi:10.1111/j.1540-5931.2012.00937.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2012.00937.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00937.xOriginal Articlen/an/aTomb Raider Archeologists and the Exhumation of the US Neoimperial Cinematic Fantasyhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00936.xTomb Raider Archeologists and the Exhumation of the US Neoimperial Cinematic FantasyRebecca Weaver-Hightower2012-05-09T03:59:40.526628-05:00doi:10.1111/j.1540-5931.2012.00936.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2012.00936.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00936.xOriginal Articlen/an/aThe Short Story Just Got Shorter: Hemingway, Narrative, and the Six-Word Urban Legendhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00935.xThe Short Story Just Got Shorter: Hemingway, Narrative, and the Six-Word Urban LegendFrederick A. Wright2012-05-09T03:59:37.681439-05:00doi:10.1111/j.1540-5931.2012.00935.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2012.00935.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00935.xOriginal Articlen/an/a“Steeped in Tradition, Seized By Change”: “Swinging London” and the American Reception of Tom Jones (1963)http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00934.x“Steeped in Tradition, Seized By Change”: “Swinging London” and the American Reception of Tom Jones (1963)Jonathan Stubbs2012-05-09T03:59:31.102437-05:00doi:10.1111/j.1540-5931.2012.00934.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2012.00934.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00934.xOriginal Articlen/an/a(Re)Turning Money into Rebellion: Reification and Utopianism in Early Punk Productionhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00933.x(Re)Turning Money into Rebellion: Reification and Utopianism in Early Punk ProductionHugh C. O'Connell2012-05-09T03:59:28.384648-05:00doi:10.1111/j.1540-5931.2012.00933.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2012.00933.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2012.00933.xOriginal Articlen/an/aThe Rehabilitation of Rambo: Trauma, Victimization, and the Vietnam Veteranhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00878.xThe Rehabilitation of Rambo: Trauma, Victimization, and the Vietnam VeteranKATHLEEN McCLANCY2011-09-21T10:51:36.21917-05:00doi:10.1111/j.1540-5931.2011.00878.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00878.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00878.xnonoBoppin' Along With Johnny Mercerhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00877.xBoppin' Along With Johnny MercerFRANK A. SALAMONE2011-09-21T10:51:31.993773-05:00doi:10.1111/j.1540-5931.2011.00877.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00877.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00877.xnonoLast Words in Deadwood: Literacy and Mortality on the Frontierhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00876.xLast Words in Deadwood: Literacy and Mortality on the FrontierBRIAN McCUSKEY2011-09-21T10:51:29.320073-05:00doi:10.1111/j.1540-5931.2011.00876.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00876.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00876.xnonoCannibalistic Delights: Human Consumption in Contemporary German Literaturehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00875.xCannibalistic Delights: Human Consumption in Contemporary German LiteratureHEIKE HENDERSON2011-09-21T10:51:25.866151-05:00doi:10.1111/j.1540-5931.2011.00875.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00875.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00875.xnono“New Shit Has Come to Light”: Information Seeking Behavior in The Big Lebowskihttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00874.x“New Shit Has Come to Light”: Information Seeking Behavior in The Big LebowskiEMILY DILL, KAREN JANKE2011-09-21T10:51:22.398077-05:00doi:10.1111/j.1540-5931.2011.00874.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00874.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00874.xnonoDestabilizing Vaudeville: The Marx Brothers and the Party of the Third Parthttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00873.xDestabilizing Vaudeville: The Marx Brothers and the Party of the Third PartRICK DesROCHERS2011-09-21T10:51:19.963685-05:00doi:10.1111/j.1540-5931.2011.00873.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00873.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00873.xnonoTwilight: The Glamorization of Abuse, Codependency, and White Privilegehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00872.xTwilight: The Glamorization of Abuse, Codependency, and White PrivilegeDANIELLE N. BORGIA2011-09-21T10:46:49.842248-05:00doi:10.1111/j.1540-5931.2011.00872.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00872.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00872.xnonoMexico's “Misnomered Bear Woman”: Science and Spectacle in the Sidzeshows of Nineteenth-Century Europehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00871.xMexico's “Misnomered Bear Woman”: Science and Spectacle in the Sidzeshows of Nineteenth-Century EuropeRYAN M. ALEXANDER2011-09-21T10:46:39.723318-05:00doi:10.1111/j.1540-5931.2011.00871.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00871.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00871.xnonoEat, Pray, Love: Producing the Female Neoliberal Spiritual Subjecthttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00870.xEat, Pray, Love: Producing the Female Neoliberal Spiritual SubjectRUTH WILLIAMS2011-09-21T10:46:09.526278-05:00doi:10.1111/j.1540-5931.2011.00870.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00870.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00870.xnonoSex and the City: A Postfeminist Point of View? Or How Popular Culture Functions as a Channel for Feminist Discoursehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00869.xSex and the City: A Postfeminist Point of View? Or How Popular Culture Functions as a Channel for Feminist DiscourseFIEN ADRIAENS, SOFIE VAN BAUWEL2011-09-21T10:46:05.438646-05:00doi:10.1111/j.1540-5931.2011.00869.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00869.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00869.xnonoTattoo Therapy: Storying the Self on Reality TV in Neoliberal Timeshttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00814.xTattoo Therapy: Storying the Self on Reality TV in Neoliberal TimesLOUISE WOODSTOCK2011-03-23T03:51:51.42091-05:00doi:10.1111/j.1540-5931.2011.00814.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00814.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00814.xnonoCherchez les Femmes: Someone's in the Kitchen with Charlotte: Classic Detective Fiction, Victorian Womanhood, and the Private Sphere in Anne Perry's Charlotte Pitt Serieshttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00811.xCherchez les Femmes: Someone's in the Kitchen with Charlotte: Classic Detective Fiction, Victorian Womanhood, and the Private Sphere in Anne Perry's Charlotte Pitt SeriesLINDA J. HOLLAND-TOLL2011-03-23T03:50:43.322057-05:00doi:10.1111/j.1540-5931.2011.00811.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00811.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00811.xnonoDead Ends: Urban Poverty and Underclass Narratives in American Movies Through the Great Depressionhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00810.xDead Ends: Urban Poverty and Underclass Narratives in American Movies Through the Great DepressionDOUGLAS MUZZIO, THOMAS HALPER2011-03-23T03:50:11.074157-05:00doi:10.1111/j.1540-5931.2011.00810.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00810.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00810.xnonoMemory, Monsters, and Lady Gagahttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00809.xMemory, Monsters, and Lady GagaVICTOR P. CORONA2011-03-23T03:49:59.001623-05:00doi:10.1111/j.1540-5931.2011.00809.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00809.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00809.xnonoLamb's Wolf: Civilization's Renegade Defenderhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00807.xLamb's Wolf: Civilization's Renegade DefenderHOWARD ANDREW JONES2011-03-23T03:48:57.234154-05:00doi:10.1111/j.1540-5931.2011.00807.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00807.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00807.xnonoHow the Slapstick Came to be Applied to Marjorie Beebe's Bottom: Mack Sennett's Talkie Star and Slapstick's Roots in Commedia dell' Arte and Pantomimehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00805.xHow the Slapstick Came to be Applied to Marjorie Beebe's Bottom: Mack Sennett's Talkie Star and Slapstick's Roots in Commedia dell' Arte and PantomimeIAN CRAINE2011-03-23T03:48:32.344658-05:00doi:10.1111/j.1540-5931.2011.00805.xJohn Wiley & Sons, Inc.10.1111/j.1540-5931.2011.00805.xhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fj.1540-5931.2011.00805.xnonoEditorial: Disney and Diversityhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12023Editorial: Disney and DiversityGary Hoppenstand2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12023John Wiley & Sons, Inc.10.1111/jpcu.12023http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12023Editorial241242Trolling for Outcasts in Sturla Gunnarsson's Beowulf and Grendelhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12024Trolling for Outcasts in Sturla Gunnarsson's Beowulf and GrendelAlan S. Ambrisco2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12024John Wiley & Sons, Inc.10.1111/jpcu.12024http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12024Original Article243256Superflies into Superkillers: Black Masculinity in Film from Blaxploitation to New Black Realismhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12025Superflies into Superkillers: Black Masculinity in Film from Blaxploitation to New Black RealismKatharine Bausch2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12025John Wiley & Sons, Inc.10.1111/jpcu.12025http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12025Original Article257276Letting Down Our Guard: American Culture as Art and Artifice in Our Idiot Brotherhttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12026Letting Down Our Guard: American Culture as Art and Artifice in Our Idiot BrotherMichael J. Blouin, Morgan Shipley2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12026John Wiley & Sons, Inc.10.1111/jpcu.12026http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12026Original Article277298Remembering the Future: Cartooning Alternative Life Courses in Up and Future Lovershttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12027Remembering the Future: Cartooning Alternative Life Courses in Up and Future LoversCasey Brienza2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12027John Wiley & Sons, Inc.10.1111/jpcu.12027http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12027Original Article299314No Woman is an Island: Heroes, Heroines and Power in the Gendered World of Losthttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12028No Woman is an Island: Heroes, Heroines and Power in the Gendered World of LostTarah Brookfield2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12028John Wiley & Sons, Inc.10.1111/jpcu.12028http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12028Original Article315337Bourgeois Rakes in Wedding Crashers: Feudal to Neo-Liberal Articulations in Modern Comedic Discoursehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12029Bourgeois Rakes in Wedding Crashers: Feudal to Neo-Liberal Articulations in Modern Comedic DiscourseKirk Combe2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12029John Wiley & Sons, Inc.10.1111/jpcu.12029http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12029Original Article338357Britannia Rules the Atom: The James Bond Phenomenon and Postwar British Nuclear Culturehttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12030Britannia Rules the Atom: The James Bond Phenomenon and Postwar British Nuclear CultureChristoph Laucht2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12030John Wiley & Sons, Inc.10.1111/jpcu.12030http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12030Original Article358377Res Emptito Ergo Sum: Fashion and Commodity Fetishism in Sophie Kinsella's Confessions of a Shopaholichttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12031Res Emptito Ergo Sum: Fashion and Commodity Fetishism in Sophie Kinsella's Confessions of a ShopaholicSrijani Ghosh2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12031John Wiley & Sons, Inc.10.1111/jpcu.12031http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12031Original Article378393Egalitarian Populism on the High Plains. Or, Why Are There No Parking Meters in North Dakota?http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12032Egalitarian Populism on the High Plains. Or, Why Are There No Parking Meters in North Dakota?Mark Stephen Jendrysik, Dana Michael Harsell2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12032John Wiley & Sons, Inc.10.1111/jpcu.12032http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12032Original Article394410Chaucer in Contemporary Mystery Novels: A Case Study in Genre Fiction, Low-Cultural Allusions, and the Pleasure of Derivative Formshttp://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12033Chaucer in Contemporary Mystery Novels: A Case Study in Genre Fiction, Low-Cultural Allusions, and the Pleasure of Derivative FormsTison Pugh2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12033John Wiley & Sons, Inc.10.1111/jpcu.12033http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12033Original Article411432 Irving Berlin's American Musical Theater. Jeffrey Magee. New York: Oxford University Press, 2012. 394 pp. $35.00 cloth. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_1 Irving Berlin's American Musical Theater. Jeffrey Magee. New York: Oxford University Press, 2012. 394 pp. $35.00 cloth. Peter Hesseldenz2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_1John Wiley & Sons, Inc.10.1111/jpcu.12034_1http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_1Book Reviews433435 Death Metal and Music Criticism: Analysis at the Limits. Michelle Phillipov. Lanham: Lexington, 2012. 158 pp. $60.00 cloth. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_2 Death Metal and Music Criticism: Analysis at the Limits. Michelle Phillipov. Lanham: Lexington, 2012. 158 pp. $60.00 cloth. Gerd Bayer2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_2John Wiley & Sons, Inc.10.1111/jpcu.12034_2http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_2Book Review436438 It Came from the 1950s!: Popular Culture, Popular Anxieties. Eds. Darryl Jones, Elizabeth McCarthy, and Bernice M. Murphy. New York: Palgrave Macmillan, 2011. 285 pp. $85.00 cloth. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_3 It Came from the 1950s!: Popular Culture, Popular Anxieties. Eds. Darryl Jones, Elizabeth McCarthy, and Bernice M. Murphy. New York: Palgrave Macmillan, 2011. 285 pp. $85.00 cloth. Sharla Hutchison2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_3John Wiley & Sons, Inc.10.1111/jpcu.12034_3http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_3Book Review438440 Fantasy Media in the Classroom: Essays on Teaching with Film, Television, Literature, Graphic Novels and Video Games. Eds. Emily Dial-Driver, Sally Emmons, and Jim Ford. Jefferson: McFarland, 2012. 264 pp. $40.00 paper. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_4 Fantasy Media in the Classroom: Essays on Teaching with Film, Television, Literature, Graphic Novels and Video Games. Eds. Emily Dial-Driver, Sally Emmons, and Jim Ford. Jefferson: McFarland, 2012. 264 pp. $40.00 paper. Brooke Ford2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_4John Wiley & Sons, Inc.10.1111/jpcu.12034_4http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_4Book Review440442 Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire. Genevieve Abravanel. New York: Oxford University Press, 2012. 206 pp. $65.00 cloth. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_5 Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire. Genevieve Abravanel. New York: Oxford University Press, 2012. 206 pp. $65.00 cloth. Martin J. Manning2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_5John Wiley & Sons, Inc.10.1111/jpcu.12034_5http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_5Book Review443445 Consuming Reality: The Commercialization of Factual Entertainment. June Deery. New York: Palgrave Macmillan, 2012. 236 pp. $85.00 cloth. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_6 Consuming Reality: The Commercialization of Factual Entertainment. June Deery. New York: Palgrave Macmillan, 2012. 236 pp. $85.00 cloth. Leigh Edwards2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_6John Wiley & Sons, Inc.10.1111/jpcu.12034_6http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_6Book Review446448 Golden Holocaust: Origins of the Cigarette Catastrophe and the Case for Abolition. Robert N. Proctor. Berkeley: University of California Press, 2011. 737 pp. $49.95 cloth. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_7 Golden Holocaust: Origins of the Cigarette Catastrophe and the Case for Abolition. Robert N. Proctor. Berkeley: University of California Press, 2011. 737 pp. $49.95 cloth. Kraig Larkin2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_7John Wiley & Sons, Inc.10.1111/jpcu.12034_7http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_7Book Review448450 Passionate Friendship: The Aesthetics of Girls Culture in Japan. Deborah Shamoon. Honolulu: University of Hawai'i Press, 2012. 181 pp. $24.30 paper. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_8 Passionate Friendship: The Aesthetics of Girls Culture in Japan. Deborah Shamoon. Honolulu: University of Hawai'i Press, 2012. 181 pp. $24.30 paper. Kimball Maw Jensen2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_8John Wiley & Sons, Inc.10.1111/jpcu.12034_8http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_8Book Review450453 American Indians and the Mass Media. Eds. Meta Carstarphen and John Sanchez. Norman: University of Oklahoma Press, 2012. 270 pp. $24.95 paper. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_9 American Indians and the Mass Media. Eds. Meta Carstarphen and John Sanchez. Norman: University of Oklahoma Press, 2012. 270 pp. $24.95 paper. Sarah Dees2013-04-14T20:43:03.483728-05:00doi:10.1111/jpcu.12034_9John Wiley & Sons, Inc.10.1111/jpcu.12034_9http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_9Book Review453455 Post-9/11 Horror in American Cinema. Kevin J. Wetmore. New York: Continuum, 2012. 231 pp. $90.00 cloth, $27.95 paper. http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2Fjpcu.12034_10 Post-9/11 Horror in American Cinema. Kevin J. Wetmore. 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